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    <loc>https://www.sahgb.org.uk/whatson/74wa4qk2efgjprka5x6dwjrcj6imhc</loc>
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      <image:title>What's On - Panel Talk: Vanbrugh's Hidden Blenheim - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.sahgb.org.uk/whatson/craftspeople-and-the-building-revolution-of-the-seventeenth-century</loc>
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    <loc>https://www.sahgb.org.uk/whatson/looking-forward</loc>
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    <lastmod>2026-04-02</lastmod>
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    <loc>https://www.sahgb.org.uk/whatson/inaugural-annual-conversation-2026</loc>
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    <lastmod>2026-04-02</lastmod>
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    <loc>https://www.sahgb.org.uk/whatson/2026-annual-lecture</loc>
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    <lastmod>2026-04-02</lastmod>
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      <image:title>What's On - ‘A wondrous bird is the Pelican’: The 1950s Revolution in British Architectural History - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.sahgb.org.uk/whatson/through-the-fires</loc>
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    <priority>0.5</priority>
    <lastmod>2026-02-17</lastmod>
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      <image:title>What's On - Through the Fires: The Mackintosh Building at the Glasgow School of Art</image:title>
      <image:caption>Speaker Bio Dr Robyne Calvert is a Cultural Historian and teaches across the University of Glasgow’s College of Arts &amp; Humanities. A Mackintosh expert, her book The Mack: Charles Rennie Mackintosh and the Glasgow School of Art (Yale University Press) won the 2024 Alice Davis Hitchcock Medallion for Architecture, sponsored by the Society of Architectural Historians of Great Britain. She is a Fellow of the Royal Historical Society.</image:caption>
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  <url>
    <loc>https://www.sahgb.org.uk/whatson/beauty-for-the-people</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/a5b86e7e-1db5-4de7-9a25-4929f5449293/Alfriston+before+restoration.jpg</image:loc>
      <image:title>What's On - Beauty for the People: Architecture and the Queer Origins of the National Trust - The Old Clergy House, Alfriston, Sussex</image:title>
      <image:caption>Photographed in 1894, the year before it became the first building to be acquired by the National Trust.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/2025-awards-ceremony</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/d6ce6eb6-8d0a-4039-acae-3488f0bfd167/Group+Photo+-+SAHGB+Awards+2024.jpeg</image:loc>
      <image:title>What's On - 2025 SAHGB Awards Ceremony&lt;/span&gt; - We would be honoured to have you join us for an evening of recognition and celebration. Please be sure to RSVP to confirm your attendance.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/hostel-house-and-chambers-accommodating-the-victorian-and-edwardian-working-woman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/8c18385d-70a1-4e05-a17a-10c461c414eb/28+Brabazon+House+dining+room+with+residents.jpg</image:loc>
      <image:title>What's On - Hostel, House and Chambers: Accommodating the Victorian and Edwardian Working Woman - Make it stand out</image:title>
      <image:caption>28 Brabazon House Dining Room With Residents</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/95-mm-to-35-mm-rome-to-greece-architecture-classical-antiquity-and-the-silent-screen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/d3ecfe06-ac90-4285-bc98-6520f261450a/SAHGB_talk_image.png</image:loc>
      <image:title>What's On - 9.5mm to 35mm, Rome to Greece: Architecture, Classical Antiquity, and the Silent Screen - Make it stand out</image:title>
      <image:caption>Screenshot from the amateur production The Road to Rome (1926), by students of architecture at the University of Liverpool, created in the lead-up to a trip to Rome. BFI National Archive.</image:caption>
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  <url>
    <loc>https://www.sahgb.org.uk/whatson/places-of-the-imagination-painting-the-city-in-the-sassetti-chapel-florence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/6a5ed63a-245a-48c4-8970-5722f39b0696/Notary+Son1.jpg</image:loc>
      <image:title>What's On - Places of the Imagination: Painting the City in the Sassetti Chapel, Florence - Make it stand out</image:title>
      <image:caption>Raising of the Roman Notary’s Son (Wikimedia Commons)</image:caption>
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  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/architectural-historiography-in-the-british-isles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/36f49afb-da92-4be0-bbf7-bf0c33c46c34/Court_Kent_SAHGB_Logos+%281%29.jpg</image:loc>
      <image:title>What's On - Architectural Historiography in the British Isles: National and International Perspectives - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/barcelona-tour</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/a459c314-a3f6-438c-915f-52ac481c77aa/Basilica+of+La+Sagrada+Familia.png</image:loc>
      <image:title>What's On - Barcelona Study Tour - Barcelona has richly varied architecture, and the opportunity has arisen to secure privileged visits to to some of the city’s most iconic and rarely accessible architectural and cultural landmarks. Image: Basilica of La Sagrada Familia, (Chait Goli)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/agm-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-25</lastmod>
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  <url>
    <loc>https://www.sahgb.org.uk/whatson/study-day-to-lincoln-cathedral-close</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/c57a9b8d-5372-4868-b0f7-c3f0afcbc46c/20240810144911.jpg</image:loc>
      <image:title>What's On - Study Day to Lincoln Cathedral Close - A day exploring the medieval close of Lincoln Cathedral, including insights by experts undertaking new dendrochronology research, and exclusive access to buildings not open to the public. Image: Lincoln Cathedral, Stephen Gage</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/the-british-construction-of-chinoiserie</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/227db552-74db-4fa6-aba5-9ca23cca1012/IMG_3115.jpg</image:loc>
      <image:title>What's On - The Institutionalisation of ‘taste’ in Architecture: The British Construction of Chinoiserie in the 17th and 18th Centuries - Make it stand out</image:title>
      <image:caption>The Chinese Pavilion at Wrest Park, Silsoe, Bedfordshire, Photo taken by Tian Pan</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/future-heritage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/5c5688f3-51ad-4a73-97d3-1c7b07d5e3f0/unnamed.jpg</image:loc>
      <image:title>What's On - SAHGB ‘Future Heritage’ Conference 2025 - What does architectural heritage mean in the mid-2020s?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/29-05-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-13</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/08-05-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-13</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/sahgb-annual-lecture-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1f677c66-e212-4891-b3a8-b7e682f19092/SAHGB+annual+leacture+image+-+Chester+Cathedral+and+St+Botolph%27s+Church.jpg</image:loc>
      <image:title>What's On - The SAHGB Annual Lecture: A Conversation About the Shape of Buildings to Come - Make it stand out</image:title>
      <image:caption>Chester Cathedral Solar Panels, 2023, and St. Botolph’s Curch, Skidbrooke, 2024. Images used with permission from Chester Cathedral and Donald Insall Associates respectively.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1740594661499-Q6041722NWE9FS1Q6LDY/Tom+Foxall+image_DP278866.jpg</image:loc>
      <image:title>What's On - The SAHGB Annual Lecture: A Conversation About the Shape of Buildings to Come - Historic England</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1740594647302-P08T3YM7AVTX06Y61P9O/Niall+McLaughlin+image_1404-NK-S-03.jpg</image:loc>
      <image:title>What's On - The SAHGB Annual Lecture: A Conversation About the Shape of Buildings to Come - Magdalene Library, Níall McLaughlin Architect</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1740740006006-WDFPCA8ELLFUCZJ5MT39/unnamed.jpg</image:loc>
      <image:title>What's On - The SAHGB Annual Lecture: A Conversation About the Shape of Buildings to Come - Bangkok Kunsthalle, Ingrid Schroder</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1740594644573-3GIHX98KJBJNFP1MVI6X/Amin+Taha_Clerkenwell+Close+image.jpg</image:loc>
      <image:title>What's On - The SAHGB Annual Lecture: A Conversation About the Shape of Buildings to Come - Amin Taha Architects Ltd and Groupwork</image:title>
      <image:caption />
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  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/feb25-seminar-5dhnt-kxcza</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1737897106427-O37RWGAWG43BGNBQLOK7/Figure+3+-+copyright+Ruth+Kaiser.jpg</image:loc>
      <image:title>What's On - Before Bilbao: The Case Study of Hans Hollein’s Museum in Mönchengladbach</image:title>
      <image:caption>Copyright: Ruth Kaiser</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1737897106670-VUIHAOC65HXNW2JM2LWZ/Figure+1+-+copyright+Ruth+Kaiser.jpg</image:loc>
      <image:title>What's On - Before Bilbao: The Case Study of Hans Hollein’s Museum in Mönchengladbach</image:title>
      <image:caption>Copyright: Ruth Kaiser</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1737897112387-050FI78P18YHXPLLA8PK/Figure+2+-+copyright+Nachlass+Hans+Hollein.jpg</image:loc>
      <image:title>What's On - Before Bilbao: The Case Study of Hans Hollein’s Museum in Mönchengladbach</image:title>
      <image:caption>Copyright: Nachlass Hans Hollein</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/igs-girouard-may-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/7a2d0c40-1a55-4535-ae4a-8abdbd8d3b41/MGirouard22_Colvin.jpg</image:loc>
      <image:title>What's On - Mark Girouard and the History of the Irish Country House</image:title>
      <image:caption>Mark Girouard on his 88th birthday outside Ham House. Photographs used with permission of Blanche Girouard.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.sahgb.org.uk/whatson/feb25-seminar-5dhnt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/139d4cfd-6066-4ade-962d-d527c11b796c/swindon+viewpoint.jpg</image:loc>
      <image:title>What's On - Architecture, Community and Television in 1970s Britain - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/b14f0069-843f-46f9-8328-827b7b8df46e/Swindon+experiment.png</image:loc>
      <image:title>What's On - Architecture, Community and Television in 1970s Britain</image:title>
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  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/difficulty-and-delight-unpacking-the-complexities-of-architectural-success</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1734113414892-O5VZ20V6L3CMHO83DG29/6.1+RIBA47214.jpg</image:loc>
      <image:title>What's On - Difficulty and Delight: Unpacking the complexities of architectural success - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/january25-seminar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1c7027bc-ea11-4eef-aa60-377cf5fa6b3b/0.1+FR674821001_001_R10002-2_0020+copy.jpg</image:loc>
      <image:title>What's On - Book Talk: The Architectural Image and Early Modern Science: Wendel Dietterlin and the Rise of Empirical Investigation - Wendel Dietterlin, Allegory of the Architectural Image, etched illustration in Dietterlin's ARCHITECTVR von Portalen vnnd Thürgerichten mancherley arten. Das Annder Būch (Straßburg: Bernhard Jobin’s heirs, 1594), Strasbourg, Bibliothèque nationale et universitaire de Strasbourg, R.10.002,2, pl. 14. Source: Bibliothèque nationale et universitaire de Strasbourg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/e169e407-e441-4837-a51d-ce1e2030d754/0.11+FR674821001_001_R10002-1_0004+%281%29.jpg</image:loc>
      <image:title>What's On - Book Talk: The Architectural Image and Early Modern Science: Wendel Dietterlin and the Rise of Empirical Investigation - Wendel Dietterlin, Allegory of Architectural Practice, etching with engraved letterpress in Dietterlin’s ARCHITECTVRA vnd Aūsstheilung der V. Seüln. Das Erst Būch. (Stuttgart: s.n. 1593), Strasbourg, Bibliothèque nationale et universitaire de Strasbourg, R.10.002,1, Title Page. Source: Bibliothèque nationale et universitaire de Strasbourg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/8a838f3e-9145-4337-85c9-dc51404c0ace/0.12_+2428091-maximum.jpg</image:loc>
      <image:title>What's On - Book Talk: The Architectural Image and Early Modern Science: Wendel Dietterlin and the Rise of Empirical Investigation</image:title>
      <image:caption>Wendel Dietterlin, Façade Design with King Saul, etched illustration in Dietterlin's ARCHITECTVRA von Außtheilung, Symmetria vnd Proportion der Fünff Seulen […] (Nuremberg: Hubrecht and Balthasar Caymox, 1598), Zurich, Zentralbibliothek Zürich, Rx 12: c,2 | F, pl. 147. https://doi.org/10.3931/e-rara-8703 / Public Domain Mark</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/8eaaa70c-9ca4-4374-8e5f-fcf9a7176a9f/0.7_2427833-maximum.jpg</image:loc>
      <image:title>What's On - Book Talk: The Architectural Image and Early Modern Science: Wendel Dietterlin and the Rise of Empirical Investigation</image:title>
      <image:caption>Wendel Dietterlin, Elephant Hearth, etched illustration in Dietterlin’s ARCHITECTVRA von Außtheilung, Symmetria vnd Proportion der Fünff Seulen […] (Nuremberg: Hubrecht and Balthasar Caymox, 1598), Zurich, Zentralbibliothek Zürich, Rx 12: c,2 | F, pl. 13. https://doi.org/10.3931/e-rara-8703 / Public Domain Mark</image:caption>
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  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/swedophilia-ethic-or-aesthetic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-13</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/2024-agm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-13</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/agmdiarypost-cztpb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-10</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/architecture-as-transmedial-practice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/32ac9a13-8f09-4e96-9f7c-6ed747bf0c98/BM_Opusculum-5r_test3.jpg</image:loc>
      <image:title>What's On - Architecture as Transmedial Practice: A First-Hand Examination of Copies from Francesco di Giorgio’s Opusculum and the North Italian Album</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/women-in-building-construction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-29</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/painting-architecture-in-early-renaissance-italy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/90775c52-e229-4495-93a0-4f8496c260dc/Book+Cover+-+Painting+Architecture+in+Early+Renaissance+Italy</image:loc>
      <image:title>What's On - Painting Architecture in Early Renaissance Italy: Invention and Persuasion at the Intersection of Art and Architectural Practice</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/looking-back-looking-forward-mark-girouard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-05</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/sofia-singler-religiousarchitecture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/fe41b3d0-b798-4f2a-b958-fe12e6667d6a/Screenshot+2024-06-28+1.54.14+PM.png</image:loc>
      <image:title>What's On - July Seminar: The Religious Architecture of Alvar, Aino and Elissa Aalto. Speaker: Sofia Singler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/ecr-symposium-2024-narrativesoftheother</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/alborz-dianat-gropius</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/elizabeth-merrill-9may24</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-09</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/1may2024seelyandpagettconference</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/db732941-ce45-47b4-a917-65d63d5c106b/IMG_6208+%281%29.jpeg</image:loc>
      <image:title>What's On - Seely and Paget in the 21st Century: Restoration and Reputation (Registrations closing soon) - Restoration and Reputation</image:title>
      <image:caption>Buildings of the architectural practice of Seely and Paget, between 1920s - c1970, were not greatly celebrated in their time, then largely overlooked as modernism became dominant through the second half of the twentieth century. While architecture of the period is now being reappraised, John Seely and Paul Paget’s personal relationship has also attracted comment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/b7bf6f8e-5969-4482-ab3c-4e3c3526f221/Screenshot+2024-03-06+9.09.56+PM.png</image:loc>
      <image:title>What's On - Seely and Paget in the 21st Century: Restoration and Reputation (Registrations closing soon)</image:title>
      <image:caption>With thanks to all our supporting partners</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/annual-lecture2024-paul-binski</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/riba-collections-hybrid-q-and-a</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-29</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/sahgb-study-tour-interestlist-2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/laura-jenkins-re-constructing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1706135402731-I2WIVHHE5PXPO506D39D/Jenkins+Image+1.jpg</image:loc>
      <image:title>What's On - Seminar: (Re)constructing the Gilded Age: The Cornelius Vanderbilt II Ballroom, with Laura Jenkins</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1706135698949-LRQV1TJ5VVP0FRJ2LNLJ/Jenkins%252BImage%252B2.jpg</image:loc>
      <image:title>What's On - Seminar: (Re)constructing the Gilded Age: The Cornelius Vanderbilt II Ballroom, with Laura Jenkins</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/judy-stephenson-earlymodernlondon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-02</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/neal-shasore-rethinking-the-in-between</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/08506f15-1ed5-4e8d-b67f-5fd3fe8ed144/RIBA%2C_66_Portland_Place%2C_London.jpg</image:loc>
      <image:title>What's On - Seminar: Rethinking the Inbetween: Reflections on Interwar Historiography with Neal Shasore - Make it stand out</image:title>
      <image:caption>Detail of the left door of RIBA, showing the old Waterloo Bridge, James Woodford, 1934</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/hawksmoor-and-the-english-gothic-church</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1695901083184-7D3C7FJ06H7T24LMFXWR/Westminster_Abbey_in_August_2019.jpg</image:loc>
      <image:title>What's On - Hawksmoor and the English Gothic Church. A seminar by Dr. Elizabeth Deans - Westminster Abbey towers (Wikimedia Commons)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1695899687003-Q9KJBBPR2ZW6ZHT7OW0N/sketch.jpg</image:loc>
      <image:title>What's On - Hawksmoor and the English Gothic Church. A seminar by Dr. Elizabeth Deans - Hawksmoor sketch of St Albans (Private collection)</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/agmdiarypost</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-16</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/imagining-an-inclusive-architectural-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-18</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/womeninsocialhousing-opencity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-02</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/noisy-landscape-seminar-october</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-12</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/romanitas-of-wren-sheldonian</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-31</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/sahgb-west-horsley-place-studyday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/sahgb-study-tour-2023-manchester-2sxxl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-26</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/sahgb-study-tour-2023-manchester</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1688030816063-B0BLW6CCUBRVUEVRPFWQ/image-asset.jpeg</image:loc>
      <image:title>What's On - The SAHGB Study Tour 2023: Manchester - bookings close 8 September - Make it stand out</image:title>
      <image:caption>Image: The former Refuge Assurance Building, Manchester, now a hotel © @chriscurry92 via Unsplash</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/heritageresearchzoomroom</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-24</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/soane-curators-tour-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-21</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/seminar-mass-housing-ukraine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/fb0a1ba8-3108-4b2b-946b-4295e04f3f96/Screenshot+2023-05-04+10.54.49+PM+%281%29.png</image:loc>
      <image:title>What's On - Mass Housing Neighbourhoods in Ukraine: Ievgeniia Gubkina speaks at The Martin Centre, Cambridge - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/0ae4ea9a-6162-4043-8b13-f340540a08d5/EI_bw2.jpg</image:loc>
      <image:title>What's On - Mass Housing Neighbourhoods in Ukraine: Ievgeniia Gubkina speaks at The Martin Centre, Cambridge - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/wren-and-greenwich-studyday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/51b3cc1e-bb5b-4e84-b8e5-0120d77c0708/Painted+Hall_4.JPG</image:loc>
      <image:title>What's On - Wren and Greenwich: An SAHGB Study Day for the Wren300 Celebrations - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/rewiring-the-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/ba75368a-5fd0-476c-ba21-1430f386477b/St+John%27s+Path+B%26W_DSC5330.jpg</image:loc>
      <image:title>What's On - Rewiring the City: A Walk Through London’s Alleyways - Make it stand out</image:title>
      <image:caption>Image: St John's Path © Matthew Turner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/5f8cbb60-998c-4cc4-97c4-25c90483f6f1/Strand+Lane+B%26W_DSC5563.jpg</image:loc>
      <image:title>What's On - Rewiring the City: A Walk Through London’s Alleyways - Make it stand out</image:title>
      <image:caption>Image: Strand Lane © Matthew Turner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/52840d0d-e18d-4a93-98c1-60739270b96d/French+Ordianry+B%26W_DSC5075+small.jpg</image:loc>
      <image:title>What's On - Rewiring the City: A Walk Through London’s Alleyways - Make it stand out</image:title>
      <image:caption>Image: French Ordinary Court © Matthew Turner</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/wren-300</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/dc058506-049b-43e1-bfb1-6151ef4d3501/St+Paul%27s_5.jpg</image:loc>
      <image:title>What's On - Sir Christopher Wren’s Place in the History of Architectural Practice- Celebrating 300 Years - Make it stand out</image:title>
      <image:caption>St. Paul's Cathedral by ©Stephen Gage</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/conference-visions-of-welfare</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/4ab5f886-576b-4d5d-a1af-e9043105970f/fortepan_16365-2142x1250.jpg</image:loc>
      <image:title>What's On - Conference: ‘Visions of Welfare’, Sessions on 2nd, 9th and 15th May - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/conference-visions-of-welfare-djlgb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/b0b0bd82-5d42-4229-a260-ad37098b4fde/6.-Arabic-tent-2500x1250.jpg</image:loc>
      <image:title>What's On - Conference Talk: Greening the Desert - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/inigo-jones-450-christy-anderson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/54f45a3e-f01e-4c7e-86d5-84eb25f9866c/Queen%27s+House.jpeg</image:loc>
      <image:title>What's On - ‘Inigo Jones Makes a List’. Professor Christy Anderson gives an online lecture for Jones’ 450th Anniversary. - Make it stand out</image:title>
      <image:caption>Queen’s House, Greenwich ©Christy Anderson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/womersleysquareswithinsquares</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/873c54ca-b2ac-4d28-b41d-90bc3df93589/High+Sunderland.01a.jpg</image:loc>
      <image:title>What's On - Squares Within Squares: Peter Womersley and the Development of the Plan - Make it stand out</image:title>
      <image:caption>High Sunderland, Galashiels, 1955-58. Image ©Neil Jackson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/nicholas-barbon-developing-london</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/ba1a3f9e-3eb1-4ba1-b21c-1978d57b7bf4/Screenshot+2023-01-25+11.08.05+AM.png</image:loc>
      <image:title>What's On - Nicholas Barbon: Developing London 1667 - 1698. Joint Lecture and Book Launch - Make it stand out</image:title>
      <image:caption>New Court, Temple, London (Timothy Walker)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/forthegloryofgod-alessi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/4398c35c-31a1-48ad-9893-335fea431238/Gill+Image.JPG</image:loc>
      <image:title>What's On - For the Glory of God: the Church Façades of Galeazzo Alessi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/annual-conference-constructing-coloniality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/ec7d1632-7288-450b-a54a-387ec16264d6/Duperly%2C+Roehampton+Estate+painting+for+Call+for+Papers.jpg</image:loc>
      <image:title>What's On - The Annual SAHGB Conference. Constructing Coloniality: British Imperialism and the Built Environment - Make it stand out</image:title>
      <image:caption>The Destruction of the Roehampton Estate in the Parish of St. James's in January 1832, 1833 (hand coloured litho)  Creator: Adolphe Duperly (1801-65)  | Credit: Photo © Christie's Images / Bridgeman Images</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/annual-lecture2023-eclecticmodern</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/907616bf-63c5-4945-bc44-f89d1fa37fa2/_TB50574.JPG</image:loc>
      <image:title>What's On - The SAHGB Annual Lecture.                                       Badovici’s Eclectic Modern: The Vézelay Houses - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/dockers-and-mum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/7e3a1d4e-a3fb-4cd0-a832-ca0fccc6845e/West+Image.jpg</image:loc>
      <image:title>What's On - Dockers and ‘Mum’ in East London: two sculptures on post-war LCC housing estates - Make it stand out</image:title>
      <image:caption>Empty plinth for 'The Dockers' by Sydney Harpley. Installed on the Lansbury estate, Poplar, in 1962</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/vision-of-a-future-london</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/b1f975fe-24b6-4821-8c0b-e87effbb6a20/Adams+Image.jpeg</image:loc>
      <image:title>What's On - RESCHEDULED (1 June). Visions of a Future London: George Dance the Younger’s Proposals for the Port of London, 1796-1803 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/tropica-timber</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/589fc572-fefa-4ddd-b76d-a461bc073564/Picture1.png</image:loc>
      <image:title>What's On - Post-War Architecture in West Africa - Make it stand out</image:title>
      <image:caption>Floating logs down the river to the factory site, Sapele, Nigeria, African Timber &amp; Plywood Company, 1950s - Unilever Archive, Port Sunlight</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/charterhouse-tour</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/charterhouse-tour-5nsx7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/d922c8df-2639-469a-981f-4ad6ef2a8309/Screenshot+2022-11-05+at+20.38.23.png</image:loc>
      <image:title>What's On - External conference: New Insights into C16th and C17th British Architecture - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/vignola</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/22edeb1a-d85f-43f7-95bf-87c4b3655e81/Waters_Image_1.jpg</image:loc>
      <image:title>What's On - Vignola and the Culture of Architectural Copying - Make it stand out</image:title>
      <image:caption>Composite capital from Giacomo Barozzi da Vignola, Regola delli cinque ordini d'architettura (1562); Anonymous draftsman, Composite capital after Regola delli cinque ordini d'architettura (late sixteenth century) [Madrid, Biblioteca Nacional, B7797] (images in the public domain)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/mercantile-patronage-at-santa-mara-del-mar-cxhsg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/afghanistan-architectural-heritage-and-global-politics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1fa853a3-bf1a-4cc1-a841-b46264d0b928/SAHGB_social-icon.png</image:loc>
      <image:title>What's On - Symposium with SAH- Afghanistan: Architectural Heritage and Global Politics - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1c120713-030e-4bcb-8d34-9242e0690d66/SAH_logoRGB.jpg</image:loc>
      <image:title>What's On - Symposium with SAH- Afghanistan: Architectural Heritage and Global Politics - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/c1b760e4-4244-4eef-b585-139e8a67a1a6/new+image.jpg</image:loc>
      <image:title>What's On - Symposium with SAH- Afghanistan: Architectural Heritage and Global Politics - Make it stand out</image:title>
      <image:caption>Right: Bamiyan, the smaller 38 metre Buddha surrounded by the caves of cells and monasteries, Afghanistan, Image Courtesy of Warwick Ball. Left: The Minaret of Jam, Afghanistan, Image Courtesy of Warwick Ball</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/mercantile-patronage-at-santa-mara-del-mar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/7fc1bfc7-d9eb-4af5-ae37-dda69fc0d46f/SM+del+Mar.jpg</image:loc>
      <image:title>What's On - Risky Investments? Mercantile patronage at Santa María del Mar in Barcelona - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/collegiate-gothic-and-urban-progressivism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/8ca2b825-c293-4c70-b333-69542a16ac7d/Gage+image.jpg</image:loc>
      <image:title>What's On - Collegiate Gothic and Urban Progressivism: Remaking Campus Typologies at the University of Chicago, 1892–1916 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/photography-at-the-architectural-review-1969-1970</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1661970844541-EKAN6KFTLWT4KWK77890/riba-20sept.PNG</image:loc>
      <image:title>What's On - A Brief Revolution: Photography at the Architectural Review 1969-1970 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/sahgb-kelmscott-pastpresentfuture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1660916131574-HX5BDGBNFB1VEMU95D38/KM+aerial+view.jpg</image:loc>
      <image:title>What's On - ‘A little place deep down in the country…’ The Kelmscott Manor Past, Present and Future project - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/sahgb-study-tour-2022-oxford</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1655066121340-EMV5579EDBK8T3F6MF22/unsplash-image-dmUolHCEHfk.jpg</image:loc>
      <image:title>What's On - SAHGB Study Tour 2022: Oxford - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/public-house-the-culture-and-society-of-the-london-pub</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/af9b3076-c85c-4469-9a24-f9f0cd0d2ef9/162-163_doublepagespread_neonorangebackground__leftpage-s_1800x1800.jpg</image:loc>
      <image:title>What's On - Public House: the culture and society of the London pub - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/a-compendium-of-queer-place-making</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1651610969428-Z3CSMJ56DFF7S0AASLKQ/USS5qKUQ.jpeg</image:loc>
      <image:title>What's On - “A compendium of queer place-making”: queer spaces in Argentina, India and Nicaragua - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/petticoats-in-parliament-female-subversion-of-parliamentary-space-in-long-nineteenth-century-britain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/29676ba4-f92d-42f2-857a-50721d7af2dc/Old_House_of_Commons_chamber%2C_F._G._O._Stuart.jpg</image:loc>
      <image:title>What's On - Petticoats in Parliament: female subversion of parliamentary space in long-nineteenth century Britain - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/hijra-homes-mithus-house-in-puran-dhaka</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/e9fda247-c467-4dab-94a2-c327ff8ffeeb/20220314_172514.jpg</image:loc>
      <image:title>What's On - Hijra Homes: Mithu’s house in Puran Dhaka - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1da3b0a6-5e8b-4da3-86c3-59b95795eb87/20220314_173059.jpg</image:loc>
      <image:title>What's On - Hijra Homes: Mithu’s house in Puran Dhaka - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/phd-ecr-symposium</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1643018273329-6UITI6Y5JCE8YRCZGLTQ/bratislava+castle.jpg</image:loc>
      <image:title>What's On - SAHGB Symposium for PhD Scholars and Early Career Researchers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/revelation-suitcase</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/8067600a-3276-4f70-87b9-17a1d36dd734/Vale+of+Leven+link+bridge+RIBA111487+-+Savia+Palate.jpg</image:loc>
      <image:title>What's On - SEMINAR: A Revelation Suitcase Architecture - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/vanessa-vanden-berghe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/73792ab4-42a3-4880-882c-1e4854a02969/image-asset.png</image:loc>
      <image:title>What's On - Looking-beyond-Seeing: Imagining the Interior Designs of Oliver Hill - Make it stand out</image:title>
      <image:caption>O. Hill, Daneway House, Sapperton, Gloucestershire, 1960, © Edwin Smith / RIBA Collections.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/seminar-performing-magnificence-artistic-practice-architectural-invention-and-persuasion-in-the-pellegrinaio-of-santa-maria-della-scala-siena</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/5e8d3b5c-c113-4ba2-a6f9-d774d273fbde/Domenico+di+Bartolo%2C+Rearing+of+Foundlings+and+Marriage%2C1441%E2%80%93SMS+Siena+-+Savia+Palate.jpg</image:loc>
      <image:title>What's On - SEMINAR: Performing Magnificence: Artistic Practice, Architectural Invention and Persuasion in the Pellegrinaio of Santa Maria della Scala, Siena - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/annual-lecture-great-fire-of-london</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/d883cf3d-bb27-49f0-821f-135835174599/image-asset.jpg</image:loc>
      <image:title>What's On - Annual Lecture: Telling the Stories of the Great Fire of London - Make it stand out</image:title>
      <image:caption>The Great Fire of London, with Ludgate and St Paul's, c. 1670. Oil on canvas, 134.6 x 110.8 cm (Yale Center for British Art, Paul Mellon Collection). Public domain</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/ribacourse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/aa475e68-e037-4d53-894c-64b30c0b2e8f/image-asset.jpeg</image:loc>
      <image:title>What's On - RIBA Learning/SAHGB Evening Course - Tony Ray-Jones / RIBA Collections Becontree Estate</image:title>
      <image:caption>Fig 1: Beacontree Estate</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/awards-ceremony</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/a8b89376-f911-4070-81d5-c76fda009445/ADH+blue+logo.jpg</image:loc>
      <image:title>What's On - SAHGB Awards Ceremony 2021 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1636567439532-VIHJRL1WB2WZQ7GRQMX6/HAWKSMOOR.PNG</image:loc>
      <image:title>What's On - SAHGB Awards Ceremony 2021</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1636567474566-KW0AGFNZYBYIP4S4JE57/Colvin.jpg</image:loc>
      <image:title>What's On - SAHGB Awards Ceremony 2021</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/silkcities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/84651de4-10a3-4928-ad93-9fbc707954b8/final+Silk+Cities-white-transparent+background.jpg</image:loc>
      <image:title>What's On - Historic Cities in the Face of Disasters - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/bc55bd36-7f13-4248-96b9-cf5f2a83590d/1+-+savia+palate.jpg</image:loc>
      <image:title>What's On - Historic Cities in the Face of Disasters - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/disabling-spaces-</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1634719185001-9MNY29DA49G1C913RSOM/7BB7CBDB-C88D-4826-8BF1-FB974D7875DE+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - Spaces of Sickness and Wellbeing:Disabling Spaces / Spaces of Disability' round table - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/revising-pevsners-north-riding-of-yorkshire-volume</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/ee388a16-159a-4b32-8e0d-4e1787cbc297/image-asset.jpeg</image:loc>
      <image:title>What's On - Revising Pevsner's North Riding of Yorkshire volume - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/siting-power-confronting-colonial-legacies-and-racialised-histories-of-health-in-libraries-museums-and-archives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-29</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/blackhistorymonth-badu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1632164627830-ZWCQDUUBKRFVFPRL3E70/682C2F1B-ADFC-49E1-95A4-14B50463AE6A_4_5005_c+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - Black history month- Adolf Loos in Paris: The Other’s Tradition of Modern Architecture - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1632164193063-0LCTXATEHBUH36TM85U2/E72197BF-14F8-47D6-8352-53C81FFF9B1A_4_5005_c+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - Black history month- Adolf Loos in Paris: The Other’s Tradition of Modern Architecture - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/annual-lecture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1630679512001-DXSL31KGZ39JBUD1U9KP/zAHA+AT+OPENING+OF+pLANETARY+ARCHITECTURE+TWO-domus-drawing-ambience_02+-+Ann-Marie+Akehurst.jpg</image:loc>
      <image:title>What's On - Annual Lecture 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1630679525019-EFK3LKPDOR3TK523STIT/Historic+houses-weston-park-1+-+Ann-Marie+Akehurst.jpg</image:loc>
      <image:title>What's On - Annual Lecture 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1630679539764-ILWX410PRBBYC09PL3LX/AA+first+women+students+and+AA+jnl-Top+copy+-+Ann-Marie+Akehurst.JPG</image:loc>
      <image:title>What's On - Annual Lecture 2020</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/artsandcrafts4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1627577137583-WD04JZYE5UKV4OGNJWK8/D01F2EA1-9869-400C-96C3-D5621E04179E+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - ARTS AND CRAFTS SERIES — Charles Holland: We’re Not Posh, We’re Arts’n’Crafts - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/artsandcrafts3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1627577894154-SFVZ7AJQPBL5A5BZ8WUT/William+Ratcliffe+-+The+Red+Curtain+-+watermarked.jpeg</image:loc>
      <image:title>What's On - ARTS   AND  CRAFTS  SERIES —Daniel Stilwell: Straightforward Architecture and Simple Furnishings - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/artsandcrafts2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1627577403682-F2HYLSHGNQJWSC2MSS44/Bidwell+interior.jpeg</image:loc>
      <image:title>What's On - ARTS AND CRAFTS SERIES — Ros Allwood : ‘Innate Bohemians All’; Arts &amp;amp; Crafts in the early Garden City - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/artsandcrafts1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1627575515892-N65OTHE51DX7TEXH8MB2/2_ARCHIVE_1+-+Ann-Marie+Akehurst.JPG</image:loc>
      <image:title>What's On - ARTS AND  CRAFTS  SERIES —Edward Crooks: A Residency in Castle Drogo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/air</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1626775902280-OGUV4WMFB4M10A1UOQMR/Miasma+-+Ann-Marie+Akehurst.jpg</image:loc>
      <image:title>What's On - SEMINAR: Air - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/sirlorimer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1626775631782-ADZA2X6WXTRY8MV9Q25G/Robert_Lorimer%2C_at_work+-+Ann-Marie+Akehurst.jpg</image:loc>
      <image:title>What's On - SEMINAR: Sir Robert Lorimer and ‘What a A Scotch Gentleman's Home Ought to be'.’ - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/landscapes2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1624787716520-PYYZCS1O2EZQZT3WFQX7/2021landscapes_2_NICHOLSON.jpg</image:loc>
      <image:title>What's On - A revolutionary remembered - Max Nicholson and Land Use Consultants: Richard Flenley, Jon Grantham and Adrian Wikeley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/landscapes4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1624787410221-T2L8MIESIC9P1RYF6TNH/2021landscapes_4_CAT.jpg</image:loc>
      <image:title>What's On - CAT - 'Some Fresh and Saner Way of Living’: John Urry and Tim Coleridge - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/landscapes1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1624467681484-F8NZC25E8389HUCJROPU/2021landscapes_1_NEVE.JPG</image:loc>
      <image:title>What's On - Industrial legacies: Hilary Orange, Cristina Purcar and Helen Neve</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1624467680205-SI08I23OOBIHAU112M4G/2021landscapes_1_ORANGE.jpg</image:loc>
      <image:title>What's On - Industrial legacies: Hilary Orange, Cristina Purcar and Helen Neve</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1624467682998-BH21DHTQISW4CWUUXWFD/2021landscapes_1_PURCAR.jpg</image:loc>
      <image:title>What's On - Industrial legacies: Hilary Orange, Cristina Purcar and Helen Neve</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/landscapes3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1624293645973-EH3GX3G4KUH1E540WPUB/2021landscapes_3_HEIN.jpg</image:loc>
      <image:title>What's On - Transformed Territories. Carola Hein, Feifei Zhou and Juana Salcedo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1624293657671-H49V9VN1ED4I6VIPI147/2021landscapes_3_SALCEDO.jpg</image:loc>
      <image:title>What's On - Transformed Territories. Carola Hein, Feifei Zhou and Juana Salcedo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1624293657238-BBERZ8SVGFGBQ3TZEUN5/2021landscapes_3_ZHOU.jpg</image:loc>
      <image:title>What's On - Transformed Territories. Carola Hein, Feifei Zhou and Juana Salcedo</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/visual-representation-in-architectural-history-methodologies-lightning-rounds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1619625873260-WQRHG6H6ZU5UN0TYD734/image-asset.jpeg</image:loc>
      <image:title>What's On - Architectural History Workshop Lightning ϟ Rounds: Visual Representation in Architectural History – Methodologies</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/-visual-representation-in-architectural-history-media-lightning-rounds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1619625873260-WQRHG6H6ZU5UN0TYD734/image-asset.jpeg</image:loc>
      <image:title>What's On - Architectural History Workshop Lightning ϟ Rounds: Visual Representation in Architectural History – Media</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/outdoor-spaces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1618772797725-9DG7MFAEB3HIHUWLSWBZ/default.jpg</image:loc>
      <image:title>What's On - SEMINAR: Outdoor Spaces</image:title>
      <image:caption>Credit: A fruit and vegetable market in Nigeria. Credit: John &amp; Penny Hubley. Attribution 4.0 International (CC BY 4.0)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/forley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1618408710608-RNX0IXA1TSHCK5GFP0HE/Fig%2B1%2BE%2BBeazley%2Ba.jpg</image:loc>
      <image:title>What's On - External event : FOLAR Women in Landscape Architecture- Elizabeth Beazley</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/alternative-spaces-of-health-promotion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1617982499366-E6W5UHYKHPPQDWLNH7BI/s3_V0031000_V0031065+-+Caitlin+DeClercq.jpg</image:loc>
      <image:title>What's On - SEMINAR: Beyond the Hospital: Alternative Spaces of Health Promotion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1617982555527-0A2MHVTF1ANVYJ2YGUPY/IMG_4050+-+Caitlin+DeClercq.jpg</image:loc>
      <image:title>What's On - SEMINAR: Beyond the Hospital: Alternative Spaces of Health Promotion</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/heroines-of-the-canongate</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1616753427736-5VT0BGA26ATGJODC36H5/FigTwo+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - MEMBERS’ TALK: Heroines of the Canongate: Women as agents of social and spatial change in Edwardian Edinburgh</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1616753464589-G3IO8EI6WTZ30OHZCWWQ/FigOne+-+Ann-Marie+Akehurst.JPG</image:loc>
      <image:title>What's On - MEMBERS’ TALK: Heroines of the Canongate: Women as agents of social and spatial change in Edwardian Edinburgh</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/burghley-500-symposium</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1616522742856-MFD1Q60I6HMDJB6XTWIA/DC3DD8C2-F613-47BF-9177-1C162C627C6B+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - External event : BURGHLEY 500 SYMPOSIUM at the Garden Museum</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1616522760005-R5BUDC2L8D9U9ZNQKCMF/C05171FD-B9DD-469C-8FCD-A26DEB154873_4_5005_c+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - External event : BURGHLEY 500 SYMPOSIUM at the Garden Museum</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/privacy-and-postwar-housing-in-britain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1616519674073-F3OLY86HE9Z7UOKTSVXB/IMG_2984.JPG</image:loc>
      <image:title>What's On - SEMINAR: 'We go out in the summer without bathing suits on': Privacy and post-war housing in Britain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1616519643248-F421VY5G6TCFXRLZPILT/IMG_2956.JPG</image:loc>
      <image:title>What's On - SEMINAR: 'We go out in the summer without bathing suits on': Privacy and post-war housing in Britain</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/malaya-classicism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1616440978705-6I9DXZA1V9WOQ3WESC1S/IMG01.jpg</image:loc>
      <image:title>What's On - SEMINAR: Malayan Classicism</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1616441241364-NIC5NGIGX3STUKEQZ3QO/IMG02.jpg</image:loc>
      <image:title>What's On - SEMINAR: Malayan Classicism</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/emilyroy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615220515796-G1A4RC1U61OVU14X2F36/WA_1974_313_59.JPG</image:loc>
      <image:title>What's On - SEMINAR: St Petersburg Under Construction: Building Sites and Stonemasonry in the Views of Benjamin Patersen (c.1750 – c.1815)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615220542688-JBNM1ARV0VZ5033G5VJA/WA_1974_313_68.JPG</image:loc>
      <image:title>What's On - SEMINAR: St Petersburg Under Construction: Building Sites and Stonemasonry in the Views of Benjamin Patersen (c.1750 – c.1815)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/epidemicsoffear</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615394820923-DKYQVDDFAT9Y1QUFRXDD/B76FCBAF-4C85-4749-AA22-483EAD5C31FF+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - SEMINAR: Epidemics of Fear and the History of Medicine</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/studioandmodernwoman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1613551155409-GJV2YFFQQV0O1ZX3T2Z3/TGA9222_4_2_2_2_H.jpg</image:loc>
      <image:title>What's On - MEMBERS’ TALK: The studio and the modern woman</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/a-story-of-stewart-resilience-triumphal-entries-and-the-spaces-of-edinburgh-old-town</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1613552698639-MADPS7IBIB61IKD0EVSZ/Figure+7.11.+-+Giovanna+Guidicini.jpg</image:loc>
      <image:title>What's On - MEMBERS’ TALK: A Story of Stewart Resilience: Triumphal Entries and the Spaces of Edinburgh Old Town</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1613552619802-468G4QQVKEEA3D00T5I2/Figure+1.1.+-+Giovanna+Guidicini.jpg</image:loc>
      <image:title>What's On - MEMBERS’ TALK: A Story of Stewart Resilience: Triumphal Entries and the Spaces of Edinburgh Old Town</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/workshop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1612609219881-DPSGZWBTX1PHPQMZ3UBC/Eisenstein.jpg</image:loc>
      <image:title>What's On - Architectural History Workshop: Visual Representation as a Critical Tool</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/the-advent-of-women-architectural-professionals</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1613147784939-PTDOWV8AMADJERU45LP5/Aiton+%26+Co+exterior+detail+-SAHGB-long+view+with+car+outside.jpeg</image:loc>
      <image:title>What's On - IWD: The Advent of Women Architectural Professionals: A US-UK Comparative Perspective</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/massey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1612803576993-IZHD0ALPG2U42UYOUVL9/C006BB6B-623B-4727-AE86-1DDE5A0058EE+-+Ann-Marie+Akehurst.png</image:loc>
      <image:title>What's On - SEMINAR: Dorothy Morland: Making ICA History</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1612803832868-S9OICGPTNP95LLAZL7IF/CDE256E4-89F6-44C1-A254-334BF1E23C23_4_5005_c+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - SEMINAR: Dorothy Morland: Making ICA History</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/howard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1612802460838-QNFCUE8T9DAGH691MY06/Deborah+Howard+picture+-+Neil+Jackson.jpg</image:loc>
      <image:title>What's On - CONVERSAZIONE: Deborah Howard’s Induction as Honorary Patron Member</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/ribafreestyle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1612800939709-NCABXVLM3T3FKTUMJSEA/452526E7-23B7-47CF-88CA-8B4714A5F2FA+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - RIBA PARTNERSHIP COURSE: Freestyling: Architectural transition and transmission</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/tracingqueerdesires</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611179602593-NWDNBKNQ2I9N6T4NGED4/Oram_Smallhythe+-+Ewan+Harrison.jpg</image:loc>
      <image:title>What's On - MEMBERS’ TALK: Bedrooms, Studies and Floorplans: Tracing Queer Desires in Buildings and Places</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611179623431-A0QISFLS459TZSIFS7GE/Oram_Millthorpe+-+Ewan+Harrison.jpg</image:loc>
      <image:title>What's On - MEMBERS’ TALK: Bedrooms, Studies and Floorplans: Tracing Queer Desires in Buildings and Places</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/queeringthe18centuryhome</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611179221665-3B718MMCHWX6WQWRU3AM/Freya_Park+Place+-+Ewan+Harrison.jpg</image:loc>
      <image:title>What's On - MEMBERS’ TALK:  A ‘commitment to overcloseness’: Close Reading and Queering the Eighteenth-Century Home</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611179249277-DXKHYH08ZT78UXRK02DS/Freya_Image+%281%29+-+Ewan+Harrison.jpg</image:loc>
      <image:title>What's On - MEMBERS’ TALK:  A ‘commitment to overcloseness’: Close Reading and Queering the Eighteenth-Century Home</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/seminar3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611151901389-DEB7L2LECSB8APCDCQKR/2+Kenwood_Ladies_Bathing_Pond_-_geographorguk_-_1841422.jpg</image:loc>
      <image:title>What's On - SEMINAR: Trans Urbanisms: Documenting and Creating Venues for Trans and Non-Binary Communities in London</image:title>
      <image:caption>Pixellated Image of Kenwood Ladies' Bathing Pond, near to Hampstead, Camden, London, 21 April 2010. Adapted by Lo Marshall from Geography.org.uk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611060004473-P0271VD5EIB7CJ3S2J6C/WANC+flyer.png</image:loc>
      <image:title>What's On - SEMINAR: Trans Urbanisms: Documenting and Creating Venues for Trans and Non-Binary Communities in London</image:title>
      <image:caption>Wanc Cafe flyer, 2002. ‘In terms of an architectural intervention, it was acutely radical, but also in terms of a women's space’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611657706395-B2IWKGPTNG7GQIO8A3NB/122037685_3680581645309203_4932360825831084690_n.jpg</image:loc>
      <image:title>What's On - SEMINAR: Trans Urbanisms: Documenting and Creating Venues for Trans and Non-Binary Communities in London</image:title>
      <image:caption>Photo: Megan Key</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610735741605-IXN0BA3O8TLP87VOLNPE/nite-logo_1000.png</image:loc>
      <image:title>What's On - SEMINAR: Trans Urbanisms: Documenting and Creating Venues for Trans and Non-Binary Communities in London</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610735691100-JPNWN5WPE6HKES3Y8AUC/UCL-logo-black-small.jpg</image:loc>
      <image:title>What's On - SEMINAR: Trans Urbanisms: Documenting and Creating Venues for Trans and Non-Binary Communities in London</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611657592351-XF9J790M277E5UWH3A3B/WE%2BEXIST%2BLOGO%2B%25281%2529.jpg</image:loc>
      <image:title>What's On - SEMINAR: Trans Urbanisms: Documenting and Creating Venues for Trans and Non-Binary Communities in London</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611060200243-GNVD1SBM3MT2EXWUONX9/Shay%2Bcrumb%2B-%2BEivind%2BHansen3.jpg</image:loc>
      <image:title>What's On - SEMINAR: Trans Urbanisms: Documenting and Creating Venues for Trans and Non-Binary Communities in London</image:title>
      <image:caption>ShayShay. Photo by Eivind Hansen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611657627605-WO649YHC3WENJF1Y5LV9/122054799_372549370763092_6315503682653079353_n.jpg</image:loc>
      <image:title>What's On - SEMINAR: Trans Urbanisms: Documenting and Creating Venues for Trans and Non-Binary Communities in London</image:title>
      <image:caption>Photo by Megan Key</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/seminar4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610182008859-W2EUC8A9DCR2UQEAHB2A/6d1eb5fa-771d-4164-b325-1b4ea97d3806-782x1020.jpeg</image:loc>
      <image:title>What's On - SEMINAR: Dwelling in Ruins: Derek Jarman at Butler’s Wharf</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/newinsights</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610126016911-PGJF03K78NWU0C2JQIM7/ba-obj-338-0004-pub-large+-+Olivia+Horsfall+Turner.jpg</image:loc>
      <image:title>What's On - EXTERNAL EVENT : New Insights into C16th and C17th British Architecture</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/bandyopadhyayseminar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1608664762079-NH8N6EN3KG9V4FKG98HZ/0076.jpg</image:loc>
      <image:title>What's On - SEMINAR: Cosmopolitan Muscat: The Story of an Indian Ocean Port Town</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1608664794824-S7HNB11DDOG2PFROUTIE/0075.jpg</image:loc>
      <image:title>What's On - SEMINAR: Cosmopolitan Muscat: The Story of an Indian Ocean Port Town</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/seminar1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1608319040419-A6WWX1ERL3B0ZFHHXUNH/Cloisterdoorinterior.jpg</image:loc>
      <image:title>What's On - SEMINAR: The Cloister of Segovia Cathedral: Dislocation, Inheritance and Critique</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/awards-showcase-colvin-prize-lecture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-14</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/awards-showcase-alice-davis-hitchcock</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-12</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/the-sahgb-christmas-quiz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1607363820042-3A3MXR0XKE6GD8UDBXP8/Frankfurt+on+the+Main%3A+The+R%C3%B6merberg+during+the+Christmas+market</image:loc>
      <image:title>What's On - The SAHGB Christmas Quiz</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/victoriansociety</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1606313867961-4Q9U5EAWOZMOSOPKNVMF/Richardson.18.g+-+Neil+Jackson.jpg</image:loc>
      <image:title>What's On - EXTERNAL EVENT :  Victorian Society Lecture  'An American Trilogy: Richardson, Sullivan &amp;amp; Wright'</image:title>
      <image:caption>Henry Hobson Richardson: Allegheny County Courthouse and Jail, Pittsburgh, Pennsylvania, 1888</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1606314784837-CE6PKQAZ6745VLICKG6I/Wright+48.08+-+Neil+Jackson.jpg</image:loc>
      <image:title>What's On - EXTERNAL EVENT :  Victorian Society Lecture  'An American Trilogy: Richardson, Sullivan &amp;amp; Wright'</image:title>
      <image:caption>Frank Lloyd Wright: Winslow House, River Forest, Illinois, 1893</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1606314045818-KQVL5YOY938Q8FDYNLWL/Sullivan.11.01+-+Neil+Jackson.jpg</image:loc>
      <image:title>What's On - EXTERNAL EVENT :  Victorian Society Lecture  'An American Trilogy: Richardson, Sullivan &amp;amp; Wright'</image:title>
      <image:caption>Louis Sullivan: Charnley House, Chicago, Illinois, 1891</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/annuallecture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1604334232005-DWMJX93V660WCV6GYCCA/926C73C2-8DC7-4766-8673-DA33CC60FE47+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - The Annual Lecture and Awards Ceremony</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/artscraftschurch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1605176489866-1KWTHINNPXADEUV0U5T4/42A005CC-8DA6-486E-ADE2-6B2A40C1E963+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - MEMBERS’ TALK: 1900 - Lions and Lambs – the Irresistible Rise and Bashful Demise of the Arts &amp;amp; Crafts church</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1605176523044-K8ZS49LHRI0F4UPTQ1XD/F6BA7D04-9D8F-4DFA-A139-9EF804B4F26D+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - MEMBERS’ TALK: 1900 - Lions and Lambs – the Irresistible Rise and Bashful Demise of the Arts &amp;amp; Crafts church</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/barnclose</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603800571406-OG797GEI36UJ083DL1DT/EWhittaker_Image3+-+Ann-Marie+Akehurst.jpg</image:loc>
      <image:title>What's On - MEMBERS’ TALK: Barn Close and the Evolution of the Arts and Crafts House</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603800596134-9ZT1HT7WHCXDDROWTP1V/EWhittaker-Image2+-+Ann-Marie+Akehurst.jpg</image:loc>
      <image:title>What's On - MEMBERS’ TALK: Barn Close and the Evolution of the Arts and Crafts House</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/ketteringham</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603732984116-5HHWI5F4NMKCEKTZTZOY/Adelphi+-+1.jpg</image:loc>
      <image:title>What's On - SEMINAR: ‘Hot silence where the older mansions hide’: Modernist Homelessness, Georgian Preservation and Imperial Decline</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/christine-casey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602080354971-KUEKBVO1NPE3ISKHK7B6/SAHGB+thumbnail+-+Neal+Shasore.JPG</image:loc>
      <image:title>What's On - SEMINAR: Surface Value: Ways of Seeing Decoration in Architecture</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602080323666-NFRJBKK7687PQT5M4261/Santa+Maria+Novella+-+Neal+Shasore.jpg</image:loc>
      <image:title>What's On - SEMINAR: Surface Value: Ways of Seeing Decoration in Architecture</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/kirby</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602511665223-Z24U60YHZVSWZ2NBZXWC/Kirby+1+-+Neal+Shasore.jpg</image:loc>
      <image:title>What's On - SEMINAR: Sir Christopher Wren’s London Churches: in Stone and Wood</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602511696344-3KFYII7JYKYWJF46U5OF/Kirby+2+-+Neal+Shasore.jpg</image:loc>
      <image:title>What's On - SEMINAR: Sir Christopher Wren’s London Churches: in Stone and Wood</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/moffat</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602080837284-3YUYQ3M7KQAIMHDYIVWG/Moffat+3+-+Matthew+Walker.png</image:loc>
      <image:title>What's On - SEMINAR: Histories of Architecture and the Architecture of History in Pakistan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602080939331-7XREWM8K5SE4EO4PE7GY/Moffat+2+-+Matthew+Walker.png</image:loc>
      <image:title>What's On - SEMINAR: Histories of Architecture and the Architecture of History in Pakistan</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/how-gracefully-the-dead-dogs-float-building-and-public-health-in-early-modern-england</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602078868865-T2E7VFOR8H554GVDYKT9/0205A201-8A88-4E50-901B-23E3B19C2F9B_1_201_a+-+Ann-Marie+Akehurst.jpeg</image:loc>
      <image:title>What's On - EXTERNAL EVENT : ‘How gracefully the dead dogs float’: Building and Public Health in Early Modern England</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/standen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602428947084-RLY0SDK1H2K5U2LDZSBO/NEGS018.jpeg</image:loc>
      <image:title>What's On - TOUR: Standen Virtual Study Tour</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602428978410-UBNHF1ATMKFD47KCHS12/Arthur+Melville+watercolour+Standen%2C+NT+Image+Library%2C+restricted+use+No.50438.JPG</image:loc>
      <image:title>What's On - TOUR: Standen Virtual Study Tour</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/symposium4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-09</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/oxfordwalk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1601908450589-2K30X8GB6NNBJF66SOVR/IMG_3682.jpeg</image:loc>
      <image:title>What's On - WALK: Oxford and the Patronage of John Radcliffe, pt II: Radcliffe Infirmary Site</image:title>
      <image:caption>Observatory (1772), Credit: Dr Geoffrey Tyack</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/oxfordtalk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1601908678675-89PZ4WSEHAP3TLZMM1K8/IMG_3669.jpeg</image:loc>
      <image:title>What's On - TALK: Oxford and the Patronage of John Radcliffe, pt I: Forum Universitatis: Oxford’s central University area</image:title>
      <image:caption>Radcliffe Camera, Credit: Dr Geoffrey Tyack</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/tessapinto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598622494375-76QLIBKQI2GQ01B10A5U/IMG_2334+-+Neal+Shasore.JPEG</image:loc>
      <image:title>What's On - SEMINAR: The Greater London Council’s Homesteading Scheme and the Urban Geography of Conservative Politics, 1977-81</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598622557145-SZ8PA5P7KIW7CCBMJZ6P/IMG_2365+-+Neal+Shasore.JPEG</image:loc>
      <image:title>What's On - SEMINAR: The Greater London Council’s Homesteading Scheme and the Urban Geography of Conservative Politics, 1977-81</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/mattseminar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598453632863-P44QXDRQUORMAUYUNU9M/Image+1+-laugier+hut+-+Neal+Shasore.jpeg</image:loc>
      <image:title>What's On - SEMINAR: Questioning the ‘Natural Order’: A Queer Re-reading of Marc-Antoine Laugier’s Essai sur l’Architecture (1753)</image:title>
      <image:caption>Marc-Antoine Laugier, Essai sur l’architecture, 1753, engraving by Charles Eisen, primitive hut with allegorical figure of architecture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598453713688-T58ZVYIASJPSGASGPQF3/Image+3+-LESSING_ART_10310751364+-+Neal+Shasore.jpg</image:loc>
      <image:title>What's On - SEMINAR: Questioning the ‘Natural Order’: A Queer Re-reading of Marc-Antoine Laugier’s Essai sur l’Architecture (1753)</image:title>
      <image:caption>Claude Perrault, East façade of the Palais du Louvre with colonnade, 1664-1667, Paris, France, commissioned by Louis XIV with the assistance of Jean-Baptiste Colbert</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/rixt-woudstra-hannah-le-roux</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598623706244-MJYPS5KMDVVTLLDS92GX/Spence_3+-+Neal+Shasore.png</image:loc>
      <image:title>What's On - SEMINAR: 'Build Your Own House’: Betty Spence’s Design-Research in 1950s South Africa</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598623726264-X1GD1VKCCQPE3P3240YK/Screenshot+2019-12-15+at+10.31.32+-+Neal+Shasore.png</image:loc>
      <image:title>What's On - SEMINAR: 'Build Your Own House’: Betty Spence’s Design-Research in 1950s South Africa</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/simonbradley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598625262258-7GFQTJ1KYGWG1LWROGNW/image+%283%29+-+Neal+Shasore.png</image:loc>
      <image:title>What's On - SEMINAR: Revising Pevsner's Oxford</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598625286563-VEYMTCQ4R7OKF5L1VPXH/image+%284%29+-+Neal+Shasore.png</image:loc>
      <image:title>What's On - SEMINAR: Revising Pevsner's Oxford</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/yasminaelchami</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598623192564-BRDSMZC2748BLQ4LBVIW/1+-+Neal+Shasore.jpg</image:loc>
      <image:title>What's On - SEMINAR: Industrialism, Philanthropy, Architecture: The Political Project of American Missionaries in Nineteenth-Century Beirut</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598623308208-9ZKZUY4IEHLTATFOYIYH/3+-+Neal+Shasore.jpg</image:loc>
      <image:title>What's On - SEMINAR: Industrialism, Philanthropy, Architecture: The Political Project of American Missionaries in Nineteenth-Century Beirut</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/andrewmurray</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598625648574-BZ4OX6H2LHNVPQI2J6T1/1+-+Neal+Shasore.jpg</image:loc>
      <image:title>What's On - SEMINAR: A Very Long Journey: Architecture Between Britain and Western Australia</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598625805489-XMPA3ZEPVUWNLFKTP1UI/CSEC00948_00001_L+-+Neal+Shasore+%281%29.jpg</image:loc>
      <image:title>What's On - SEMINAR: A Very Long Journey: Architecture Between Britain and Western Australia</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/bernsteinseminar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598039684277-PQ82VKXPVZO2R09FGH6U/SAHGB2+-+Neal+Shasore.JPG</image:loc>
      <image:title>What's On - SEMINAR: Building a Social Network in Stone: the Column Capitals of the Church of St. Peter, Cogenhoe</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598039642837-87L5DN4CXOEBSEZ8LBEO/SAHGB3+-+Neal+Shasore.JPG</image:loc>
      <image:title>What's On - SEMINAR: Building a Social Network in Stone: the Column Capitals of the Church of St. Peter, Cogenhoe</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/modernplayhouseseminar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597657062499-S3L5GF9NAQS0TCC31KG4/modern+playhouse.jpeg</image:loc>
      <image:title>What's On - TALK : Modern Playhouses: Theatre Architecture in Britain, 1945-1985</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/luceyseminar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595345394847-UJTU1PKT4Z5B2KJW677S/image02.png</image:loc>
      <image:title>What's On - SEMINAR: ‘So many brick-heaps piled one after the other’: Making Architecture from Building</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/8by1vvskt3xrtrktyk8mh4uiuhntvw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594292411101-TXWVR3U2AAUQUUQX1HFG/BYVANCKB_mimi_78d38_dl2_014v_min+%281%29.jpg</image:loc>
      <image:title>What's On - The King, His Hall and a Scandal: Accounts of Eadwig in the Tenth Century</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/seminar-csepely-knorr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/seminar-ronan-point</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/symposium1-n6sf9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-17</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/symposium1-y8ddz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-12</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/symposium1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-17</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/seminar-william-allen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1591883163164-JU4GLVLBLEYTIZRN4R3N/image-asset.jpeg</image:loc>
      <image:title>What's On - SEMINAR: ‘A One-Man Postgraduate Course for the Profession’ – William Allen and the ‘Scientific Outlook’ in Architectural Education</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/saltaire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1591881843416-5PVD6HXVZN4UI5OOH9GM/Lockwood+and+Mawson%2C+Salts+Mill%2C+Saltaire+%281851%E2%80%9353%29</image:loc>
      <image:title>What's On - STUDY TOUR: A Virtual Visit to Saltaire</image:title>
      <image:caption>Lockwood and Mawson, Salts Mill, Saltaire (1851–53)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/seminar-robert-and-james-adam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1591630875387-SY4DNZNRBC1UVX5FJ4VR/Adam_26_131%2C+Hugh+Kelly.jpg</image:loc>
      <image:title>What's On - SEMINAR: Robert &amp;amp; James Adam: The Grand Tour Correspondence and Writings</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/seminar-the-italianate-in-british-urban-architecture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1591630313865-T9TZWJ8D5AT8P2HVWMM7/Belfast+Customs+House.jpg</image:loc>
      <image:title>What's On - SEMINAR: The Italianate in British Urban Architecture</image:title>
      <image:caption>Charles Lanyon, Customs House, Belfast (1856)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/event-four-48sdt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-10</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/whatson/event-two-pbb4j</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-10</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594991062794-SRVZ1ZFMSTKEHUKPLFGF/Logos.png</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/barrerarubiohernandez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603384257783-7WMZXLLOS7E2DPYIDNMN/screenshot+1.JPG</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The (Assumed) Possibilities of the Architectural Archive</image:title>
      <image:caption>Collage made from the books shelved in the Library of the San Carlos Academy Archive by Natalia Rello, architecture student at UNAM.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1604056403481-Y78YZP9JJKR84TQH35A6/Collage+2.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The (Assumed) Possibilities of the Architectural Archive - Collage made from the books shelved in the Library of the San Carlos Academy Archive by Paula Trejo, architecture student at UNAM.</image:title>
      <image:caption>Uncatalogued presentation drawing of new library and theatre at University College London by Richardson &amp; Gill, c. 1930</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603383727241-90NN32F8GNHLUAQNTH1O/Amerique+Icon-Durand.png</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The (Assumed) Possibilities of the Architectural Archive</image:title>
      <image:caption>America icon extracted from Recueil et Parallèle des Édifices de Tout Genre Anciens et Modernes: Remarquables, par leur Beauté, par leur Grandeur ou par leur Singularité et Dessinés sur une Même Echelle, Jean Louis Nicolas Durand. Library of the San Carlos Academy Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603383749154-F0MP44SEL8FRPSTMQCCP/Mexican+Icon-Banister+Fletcher+Tree+of+Architecture.png</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The (Assumed) Possibilities of the Architectural Archive</image:title>
      <image:caption>Mexican icon extracted from A History of Architecture on the Comparative Method, Banister Fletcher. Library of the San Carlos Academy Archive.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/bedfordshire-archive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600875671107-1N6SY3KBHBHPJVXGOO1R/RGHuncat+UCL+Tuck+and+Mocatta.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Sir Albert Richardson at Bedfordshire Archives</image:title>
      <image:caption>Uncatalogued presentation drawing of new library and theatre at University College London by Richardson &amp; Gill, c. 1930.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600875810039-M3UAI7TW0TNM4QEIFV0C/RGH6-157-5-9.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Sir Albert Richardson at Bedfordshire Archives - Richardson’s watercolour sketch of Long Melford Hall Suffolk, reconstructed a wing after a fire in 1942; this wing is now the National Trust tea room. Reference RGH6/157/5/9.</image:title>
      <image:caption>Uncatalogued presentation drawing of new library and theatre at University College London by Richardson &amp; Gill, c. 1930</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600888859500-7CA4M9WZBVRU7I36UBUE/RGH6%2BBundles.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Sir Albert Richardson at Bedfordshire Archives</image:title>
      <image:caption>Correspondence files from the Richardson &amp; Houfe Collection at Bedfordshire Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600876072143-TE6ZPWDVR5G4T4D3AP33/RGH+files.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Sir Albert Richardson at Bedfordshire Archives</image:title>
      <image:caption>Rolled plans of the Richardson &amp; Houfe Collection at Bedfordshire Archives from the Ampthill office with flat plans stored beneath.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/lasdun</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600888960439-WOVBG88S8CJPOXKPSDB4/RIBA98634.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Lasdun Unbuilt</image:title>
      <image:caption>Portrait of Denys Lasdun by Susan Lasdun, 1990s. Lasdun Archive/RIBA Collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600877267228-G8QADYCWP7BHLLFIR4L1/RIBA99665.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Lasdun Unbuilt - Early sketch for the Hurva Synagogue, Jerusalem. Lasdun Archive/RIBA Collections</image:title>
      <image:caption>Early sketch for the Hurva Synagogue, Jerusalem Lasdun Archive/RIBA Collections</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600889411423-BVWYRGXDDPD8YDOAZIK5/RIBA114024.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Lasdun Unbuilt</image:title>
      <image:caption>Final model for the Hurva Synagogue, Jerusalem, seen from the south. Lasdun Archive/RIBA Collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600877746439-1BYXH9VF8VJ5H7U48TV1/RIBA114019.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Lasdun Unbuilt</image:title>
      <image:caption>Discarded models of the Hurva Synagogue. Lasdun Archive/RIBA Collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600878100041-6C737RVKIBG1FBK9I6XO/RIBA114019.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Lasdun Unbuilt</image:title>
      <image:caption>Presentation for the Carlo Felice Opera House competition. Lasdun Archive/RIBA Collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600877455697-I7VV7TLAPSBUAET1S9FY/RIBA114020.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Lasdun Unbuilt</image:title>
      <image:caption>View of the original site showing the extant portico. Lasdun Archive/RIBA Collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600877965852-2THRSAV8ZGG2LNK7LRP8/RIBA114022.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Lasdun Unbuilt</image:title>
      <image:caption>Final model of the Carlo Felice Opera House (Stage 2), close-up of the front elevation, seen at night. Lasdun Archive/RIBA Collections.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/orourke</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600873460209-KRK871PUKTHL9VX6U1NY/Figure+1.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - An Architectural Archive in San Antonio, Texas</image:title>
      <image:caption>Robert Ayres, Ayres &amp; Ayres, San Antonio. Design for an unidentified building; purchased at auction for the proposed archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600889812132-P6AOGKH4USTWGEMFTE1J/Figure%2B2.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - An Architectural Archive in San Antonio, Texas</image:title>
      <image:caption>La Villita Workshop, San Antonio. Design for a Table Lamp, c. 1940. Drawing discovered in the basement of a San Antonio architecture firm in 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600890735718-QALR537VMFKOK5NJN14J/Figure+3.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - An Architectural Archive in San Antonio, Texas</image:title>
      <image:caption>Aerial view of Alamo Plaza, 1940.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/tna</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600361896451-9TFOHWT8Q8ONKIOYXONT/IMAGE+1+-+WORK+38_47_1866.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The National Archives - Architectural Collections</image:title>
      <image:caption>Westminster Abbey: Chapter House Restoration. Longitudinal section through vestibule and outer vestibule. Signed by G Gilbert Scott (1866). The National Archives, Cat. ref.: WORK 38/47</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600362001333-GJSB7LTA4TA97QTE8QVR/IMAGE+2+-+MF+1_1+_12a_+_1945_1944.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The National Archives - Architectural Collections</image:title>
      <image:caption>Greater London Plan, Greater London Traffic Densities (1944) extracted from publication of Professor Abercrombie's report and plan, HLG 71/117. The National Archives, Cat. ref.: MF 1/1 (12a)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600362172724-3ZZIQYGH6U4BSH6WQ4N8/IMAGE+3+-+T+376_5+%282%29.JPG</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The National Archives - Architectural Collections</image:title>
      <image:caption>‘Birds-eye view of Whitehall Palace as designed by Inigo Jones’ (1639), reproduced in The Builder (1903). The Lister Collection, The National Archives, Cat. ref.: T 376/5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600362391282-XOP1288C6XU1BF8Z91JH/IMAGE+4+-+WORK+25_64_25_1951+%281%29.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The National Archives - Architectural Collections</image:title>
      <image:caption>Festival of Britain, Aerial View (1951), The National Archives, Cat. ref.: WORK 25/64</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600362518335-X4T2NB3AXDLU5K2WLITY/IMAGE+5+-+CO+1069_447+_5_1890.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The National Archives - Architectural Collections</image:title>
      <image:caption>Photographic view of Hong Kong in the 1890s. The National Archives, Cat.ref.: CO 1069/447</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/nela</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600355076614-JD5RSK90UGFX3V2OOMC8/Figure+1%3A+Michael+Brown%3A+Proposed+landscaping+for+the+Winstanley+Road+Estate%2C+Battersea%2C+London.+1964.+%C2%A9+Museum+of+English+Rural+Life+%28Landscape+Institute+Library+and+Archive%29%2C+University+of+Reading%2C+UK</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Archiving the Memories of Landscape Architecture: The Network of European Landscape Architecture Archives (NELA)</image:title>
      <image:caption>Michael Brown: Proposed landscaping for the Winstanley Road Estate, Battersea, London. 1964. © Museum of English Rural Life (Landscape Institute Library and Archive), University of Reading, UK</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600355492103-MTH2RQZTLALWOIX02C5N/CIVA_pech%C3%A8re_klee.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Archiving the Memories of Landscape Architecture: The Network of European Landscape Architecture Archives (NELA)</image:title>
      <image:caption>René Pechère: Plan for the Garden of the Cité administrative de l’État, Brussels. Preliminary sketch in the style of Paul Klee. Undated drawing [1956] © CIVA Landscape Architecture Archives, Brussels, Belgium</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600356292041-NO36BHX5FGJC8XJH4CQP/VERSAILLES_East+Side+Park++++Plan.jpeg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Archiving the Memories of Landscape Architecture: The Network of European Landscape Architecture Archives (NELA)</image:title>
      <image:caption>Allain Provost: East Side Park, Birmingham, competition plan and sections, 2005 © Allain Provost Collection, École Nationale Supérieure de Paysage, Versailles-Marseille, France</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/digitalcatalogues</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600360390405-MXCJXCS8T8P3YT20CBG1/RIBA50827.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Architectural Drawings Catalogues in the Digital Age</image:title>
      <image:caption>A card catalogue at the Bodleian Law Library, 1964 (John Donat/RIBA Collections)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600359519409-W1TXKY3MBUCW65JMAQ4N/Image+2+-+RIBA+Catalogue.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Architectural Drawings Catalogues in the Digital Age</image:title>
      <image:caption>The RIBA Drawings Catalogue, published between 1969 and 1984, opened up the RIBA’s collections to a wider audience and pioneered architectural drawings cataloguing in the UK © George Jeffery Books</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600359729588-MG920LQ1OBW9TM431S03/Image+3+-+Bibliographic+Catalogue.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Architectural Drawings Catalogues in the Digital Age</image:title>
      <image:caption>A bibliographic catalogue including drawings by Philip Johnson at the Columbia University Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600359837641-IGRDDB0ZO16TDUIDTOJ5/Image+4+-+HistoryPin.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Architectural Drawings Catalogues in the Digital Age</image:title>
      <image:caption>Sites such as HistoryPin use interactive map-based interfaces to help users retrieve information</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/ccamattaclark</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600358354686-F0ORX3GOYM3KSGI873CU/BANVILLE_SAHGB_SESSION+3_Provocation+Paper_figure+1.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - ‘Black Ballpoint Pen on Artcard’</image:title>
      <image:caption>Figure 1 Books on alchemy, gravity, inner spaces and networks selected by curator Yann Chateigné from Gordon Matta-Clark’s library, 2019. Photograph © CCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600358477364-CVYCZ53UCH6R6J1KTDE1/BANVILLE_SAHGB_SESSION+3_Provocation+Paper_figure+2.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - ‘Black Ballpoint Pen on Artcard’</image:title>
      <image:caption>Figure 2 Exhibition view of ‘Material Thinking. Out of the Box: Gordon Matta-Clark selected by Yann Chateigné’ at the CCA, June 7-September 8, 2019. Photograph © CCA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600358545007-9USQYO5UL37OKXW6W7U6/BANVILLE_SAHGB_SESSION+3_Provocation+Paper_figure+3.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - ‘Black Ballpoint Pen on Artcard’</image:title>
      <image:caption>Figure 3 PH2008:0020. Paradise Lost, John Milton, 1962, New York: The Odyssey Press. Heavily annotated book by the artist, 20.2 × 14.5 × 2 cm (7 15/16 × 5 11/16 × 13/16 in.) © Odyssey Press © Estate of Gordon Matta-Clark, on deposit at the Canadian Centre for Architecture, Montreal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600358773419-F88GRTMMDKJJKT53FV5L/BANVILLE_SAHGB_SESSION+3_Provocation+Paper_figure+4.1.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - ‘Black Ballpoint Pen on Artcard’</image:title>
      <image:caption>Figure 4.1 PHCON2002:0016:001:027.6. [The Space] The air [Falls] behind you as you move -. Card 7,6 × 12,7 cm (3 × 5 in.) © Estate of Gordon Matta-Clark, on deposit at the Canadian Centre for Architecture, Montreal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600358821836-P8LKGNB1J21AFA07YISM/BANVILLE_SAHGB_SESSION+3_Provocation+Paper_figure+4.2+%281%29.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - ‘Black Ballpoint Pen on Artcard’</image:title>
      <image:caption>Figure 4.2. Enlarged photo of PHCON2002:0016:001:027.6 with caption on wall. Exhibition ‘Material Thinking. Out of the Box: Gordon Matta-Clark selected by Yann Chateigné’ at the CCA, June 7-September 8, 2019. Exhibition photo by Emilie Banville.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/ribaphotographs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600357335177-9OUPZHFPAG394140X2NA/RIBA60470.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Photography, the Cinderella of Architectural Archives?</image:title>
      <image:caption>Nuremberg seen from the Burg looking towards St Sebald (1880s) In 1945 the Royal Air Force and the U.S. Army Air Forces systematically bombed the city, destroying about ninety percent of the medieval centre RIBA Collections</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600357504172-16KJ6XHE155P88091GG9/RIBA48702.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Photography, the Cinderella of Architectural Archives?</image:title>
      <image:caption>Construction of an arch inside one of the new transepts, Anglican Cathedral, Liverpool (1930), Architect: Sir Giles Gilbert Scott, Photographer: Stewart Bale, Architectural Press Archive/RIBA Collections</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600357637572-ZHZEKDX3LIST7EIX0EX0/RIBA49374.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Photography, the Cinderella of Architectural Archives?</image:title>
      <image:caption>Hillfield (House A), Whipsnade Zoo Estate (1936), Architect: Lubetkin &amp; Tecton, Photographer: Herbert Felton, RIBA Collections</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1600421530004-Q28GERSDT6N9X2FNN2PK/RIBA3830.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Photography, the Cinderella of Architectural Archives?</image:title>
      <image:caption>Children's playground, Pepys Estate, Deptford, London (1969), Architects: Greater London Council. Department of Architecture &amp; Civic Design, Photographer: Tony Ray-Jones, Tony Ray-Jones/RIBA Collections</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/the-gordon-cullen-archive-at-the-university-of-westminster</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597065763327-79FWN6UI0BWRRJPPZLQ5/CUL_118_10_03.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Gordon Cullen Archive at the University of Westminster</image:title>
      <image:caption>Puri, India (CUL/BOX118)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597264632177-NWI2GDRAM41250QEUSJP/CUL_Box1_53.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Gordon Cullen Archive at the University of Westminster</image:title>
      <image:caption>Ramp from Bank to Mansion House (CUL/BOX1/53).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597264712886-4ZH5RQRYATWQSJW3K2VJ/CUL_Box19_63.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Gordon Cullen Archive at the University of Westminster</image:title>
      <image:caption>Self Portrait (CUL/BOX19/63).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597065983112-K031ORGC07IQ05CQEULY/CUL_Box5_41.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Gordon Cullen Archive at the University of Westminster</image:title>
      <image:caption>Views of a town (CUL/BOX5/41).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/gordonnbspcullennbsparchive-a-multimedia-case-study</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597066650877-M1AA7OCO2NM6M8BOF54U/Cover+CUL_Box13_36.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Gordon&amp;nbsp;Cullen&amp;nbsp;Archive: A Multimedia Case Study</image:title>
      <image:caption>A drawing of cable works, titled ‘G.E.C. Cable Works, Eastleigh Southampton’, drawn in black ink, watercolours and pastel on hot-pressed Whatman Board. CUL_Box13_36. © Gordon Cullen Estate/Reproduced courtesy of University of Westminster Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597066841414-3U2Z39ONJGLBT9MZD7AW/Figure+3+CUL_Box1_158.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Gordon&amp;nbsp;Cullen&amp;nbsp;Archive: A Multimedia Case Study</image:title>
      <image:caption>Photographs of a street. CUL_Box1_158. © Gordon Cullen Estate/Reproduced courtesy of University of Westminster Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597066800259-9XVRCE42TZWYIPP6J01N/Figure+2+CUL_Box1_28.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Gordon&amp;nbsp;Cullen&amp;nbsp;Archive: A Multimedia Case Study</image:title>
      <image:caption>Photograph of Docklands buildings and a plan of a waterside development, believed to be Swedish Quays, with accompanying text. CUL_Box1_28. © Gordon Cullen Estate/Reproduced courtesy of University of Westminster Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597066760850-PBMBWRULN1OZYTITK7XF/Figure+1+CUL_Box3_3.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Gordon&amp;nbsp;Cullen&amp;nbsp;Archive: A Multimedia Case Study</image:title>
      <image:caption>Eight drawings of buildings, streets and urban plans, titled ‘Page 47’. CUL_Box3_3’. © Gordon Cullen Estate/Reproduced courtesy of University of Westminster Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597066902708-PY5L10FDLG19I6F9XT4L/Figure+4+CUL_Box4_78.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Gordon&amp;nbsp;Cullen&amp;nbsp;Archive: A Multimedia Case Study</image:title>
      <image:caption>A print of a collage of buildings and people, no title, printed in black ink on white paper. CUL_Box4_78. © Gordon Cullen Estate/Reproduced courtesy of University of Westminster Archive.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/houses-not-people</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597067489951-2GIP3GR3YQBNT9XQC8FQ/Slide1.JPG</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - ‘Houses not People’</image:title>
      <image:caption>A map recording bomb damage sustained during World War Two is available – clicking the image above to visit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597264304977-HAF09XXLLN4M1VSZXA3F/Slide2.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - ‘Houses not People’</image:title>
      <image:caption>Still from The Changing Face of London, a film made in 1960 to celebrate the role of London County Council after World War Two. To watch, click on the image above. https://www.youtube.com/watch?v=GfhTaqOeMrw</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597265588968-298C67ZBO0ZFFGJP7X1F/Slide3.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - ‘Houses not People’</image:title>
      <image:caption>Images of the Barkantine Estate in Millwall from Collage, the London picture archive managed by London Metropolitan Archives. Click on the image to visit the site. https://collage.cityoflondon.gov.uk/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597326866478-FPDW88AJV2TLE8ETCTSZ/OPAC.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - ‘Houses not People’</image:title>
      <image:caption>Typical catalogue descriptions from the London Metropolitan Archives. To visit, click on the image above.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/sainsburyarchive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594977252102-VYSQ0B7NPABKEJN4HBEZ/SA_BRA_7_C_6_10hr.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Sainsbury Archive</image:title>
      <image:caption>Winning entry for Kingsmead Road, Canterbury branch c. 1982 (c) Sainsbury Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594977214535-URRVIO5ILCTOV1I1NLRK/SA_BRA_7_P_1_2_2hr.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Sainsbury Archive</image:title>
      <image:caption>Interior of the branch at 15/23 Porchester Road, Paddington 1957 (c) Sainsbury Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594977170930-J3RSO7WFEJBRRVXF3HLZ/SA_BRA_7_S_19_1hr.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Sainsbury Archive</image:title>
      <image:caption>Exhibition about proposed store at St George’s Place, Lord Street, Southport 1979 (c) Sainsbury Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594976861188-EE9TQSHA3M1QYJEKX42W/SA-BL-1-16-9.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Sainsbury Archive</image:title>
      <image:caption>Construction of Sainsbury's factory at Paris Gardens, Blackfriars 1933 (c) Sainsbury Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594976961373-O7755332IB2XBZJP1GPD/SA-BRA-1-1-O-1-3.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Sainsbury Archive</image:title>
      <image:caption>Plans of new premises at Station Road, Oxted c. 1935 (c) Sainsbury Archive</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/rssarchive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594977817987-QVXLL94K6VG9P4JEKJKP/01-Rosamund+Fletcher_RSS+architectural+commissions+form.JPG</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Finding ‘pioneering women’ in the archive of the Royal Society of Sculptors</image:title>
      <image:caption>Architectural commissions form for members filled in by Rosamund Mary Beatrice Fletcher Membership file of Rosamund Mary Beatrice Fletcher FRBS (1914-1993) (c) Royal Society of Sculptors Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594977934684-KBLX54854T0XVAI829KH/02-annual+report+1966-1967.JPG</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Finding ‘pioneering women’ in the archive of the Royal Society of Sculptors</image:title>
      <image:caption>‘The Royal Society of British Sculptors annual report March 1966 – March 1967’, p.12-13 (c) Royal Society of Sculptors Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594977960304-TQ0BBP00V7FOCK0N46OR/03-Dora+House.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Finding ‘pioneering women’ in the archive of the Royal Society of Sculptors</image:title>
      <image:caption>Rosamund Lily West, Paul Mellon Research Curator, Royal Society of Sculptors archive@sculptors.org.uk Rosamund has a background in museum collections, public engagement and academic research. With an MA in history of art from the University of York, Rosamund is currently doing a part-time PhD at Kingston University on the post-war London County Council’s housing and public art. She also works as Documentary Curator at the London Transport Museum. Rosamund is leading on the RSS’s project to celebrate the lives, careers and legacies of the pioneering women at the heart of the Society.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/folksonomies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594973752312-8ICGDRN7VIBJGPHC0459/llsb1.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Future is Folksonomies</image:title>
      <image:caption>UK skater Nick Zorlac amongst Southbank Undercroft destruction 2005 © David Steel</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/prisonsmemoryarchive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594975691520-LYEYCTLL97FGZNWLCAXA/Entrance+of+the+Hospital+of+Maze+and+Long+Kesh+Prison%2C+2007+%E2%88%8FPrisons+Memory+Archive.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Prisons Memory Archive</image:title>
      <image:caption>Entrance of the Hospital of Maze and Long Kesh Prison 2007 (c) Prisons Memory Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594975735040-W4EQBMIS7ZDCH0MPGOM8/Gate+into+the+Hospital+of+Maze+and+Long+Kesh+Prison%2C+2007+%E2%88%8FPrisons+Memory+Archive.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Prisons Memory Archive</image:title>
      <image:caption>Gate into the Hospital of Maze and Long Kesh Prison 2007 (c) Prisons Memory Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594975773497-MI1PAN9OUEYTZKK06QXV/Hospital+Corridor%2C+Maze+and+Long+Kesh+Prison%2C+2007+%E2%88%8FPrisons+Memory+Archive.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Prisons Memory Archive</image:title>
      <image:caption>Hospital Corridor, Maze and Long Kesh Prison 2007 (c) Prisons Memory Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594975825160-BDF9RBUR6VS1MH05K4L6/View+friom+a+watch+tower+of+the+H-Blocks+of+Maze+and+Long+Kesh+Prison%2C+2007+%E2%88%8FPrisons+Memory+Archive.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Prisons Memory Archive</image:title>
      <image:caption>View friom a watch tower of the H-Blocks of Maze and Long Kesh Prison 2007 (c) Prisons Memory Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594976259066-7TRRCLOVJY99Y1GA8NE2/black+lock+up.jpeg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Prisons Memory Archive</image:title>
      <image:caption>The PMA is a partnership project between Queen's University Belfast and the Public Record Office of Northern Ireland, and is supported by the National Lottery Heritage Fund. Find out more at: www.prisonsmemoryarchive.com﻿</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594976314601-CXLIDX6Q4ANTJYDV7YS6/logos%2Bof%2BPMA%2Bsupporters.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - The Prisons Memory Archive</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/johnlaing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594974721536-QM5WE9QQROU8OZY844ET/JLP01_08_049478.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Who Built Britain?</image:title>
      <image:caption>Workers unloading bricks from the back of a lorry during the construction of Berkeley Nuclear Power Station 29 April 1957 © Historic England Archive. John Laing Photographic Collection JLP01/08/049478</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594974899877-ED1ECGRIRH3QW1M7PMNI/JLP01_08_053292.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Who Built Britain?</image:title>
      <image:caption>Site nurse Betty Mitchell wading through mud on Section B of the London to Yorkshire Motorway (M1) during its construction September 1958 © Historic England Archive. John Laing Photographic Collection JLP01/08/053292</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594974970899-6JHH7LCEPFSA0HB830IM/JLP01_08_060505.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Who Built Britain?</image:title>
      <image:caption>Civil engineer Kik Hong Ong at work during the construction of the Birmingham to Preston Motorway (M6) 18 July 1961 © Historic England Archive. John Laing Photographic Collection JLP01/08/060505</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594975038841-KV7QXHJR3UXLJRX9YPCF/JLP01_14_00004.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Who Built Britain?</image:title>
      <image:caption>Men covering marginal haunch as part of the construction of the M1 motorway Circa 1958-1959 © Historic England Archive. John Laing Photographic Collection JLP01/14/00004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594975212284-GQ10DE18D1LVQY0QN7EN/image-asset.png</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Who Built Britain?</image:title>
      <image:caption>Gary Winter, Ciaran Davis and Ashley Mackenzie-White, Historic England</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/archtectures-archves-a-virtual-symposiumnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592055520888-TCLTE78LYLD3SLXN8EJ9/SWilson1.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - ARCH/TECTURES ARCH/VES: A Virtual Symposium&amp;nbsp;</image:title>
      <image:caption>Cataloguing the Colin St John Wilson collection at the RIBA Drawings and Archives Collection Piper Centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592056171296-QQMER8PADWP4AIA9U0LA/RIBA32962small.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - ARCH/TECTURES ARCH/VES: A Virtual Symposium&amp;nbsp;</image:title>
      <image:caption>(c) RIBA Collections</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592056276080-P6GOGJ5BLIHZLARJNRKR/Firebrace%2BPress%2BArchives%2B1981_2%2Blores.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - ARCH/TECTURES ARCH/VES: A Virtual Symposium&amp;nbsp;</image:title>
      <image:caption>William Firebrace, AA Fifth Year, 1981–82: Press Archive, Fleet Street.  AA Archives.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/barcelonapavilion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594973014834-CMCIXLS6UGYKYYJU7F29/SAHGB-aerial+Exposition+-+central_12-7-20.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Archiving the Barcelona Pavilion and the Cumulative Tale</image:title>
      <image:caption>Aerial view of the 1928-1929 Barcelona International Exposition This image captures the central zone of the Exposition. The Pavilion appears at the bottom edge of the right corner flanked by the row of sandstone columns. The corresponding numbers in the image refer to: 1. The Barcelona Pavilion; 2. The initial site set aside for the Barcelona Pavilion; 3. The French Pavilion; 4. The location set aside for the remaining national pavilions. The highlighted areas and numbering in the image are the author’s intervention. (Additional reference: Institut Municipal d’Historia, Barcelona)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594973143030-J20V503ZTK2O6DAP7AI4/SAHGB-1986+BP_12-7-20.jpg</image:loc>
      <image:title>ARCH/TECTURES ARCH/VES - Archiving the Barcelona Pavilion and the Cumulative Tale</image:title>
      <image:caption>Front view of the 1986 reconstructed Barcelona Pavilion (Photograph by the author)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/category/Feature</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/architecturesarchives/tag/Archives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-02</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/70-anniversary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/niamh-nicghabhanncoleman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/35bec110-da6f-43f8-bb94-4607ec2a31e4/Ballyouskill+Catholic+church%2C+Co.+Laois%2C+1822.</image:loc>
      <image:title>Features - The Development of Catholic Chapels in Ireland Prior to Catholic Emancipation, 1778–1829 - Make it stand out</image:title>
      <image:caption>Ballyouskill Catholic church, Co. Laois, 1822. Niamh NicGhabhann Coleman ©</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/4d42eb68-81c6-4526-a1ec-e92dc75ad33d/v68+cover.jpg</image:loc>
      <image:title>Features - The Development of Catholic Chapels in Ireland Prior to Catholic Emancipation, 1778–1829 - The Development of Catholic Chapels in Ireland Prior to Catholic Emancipation, 1778–1829</image:title>
      <image:caption>Available Online via Cambridge University Press</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/journal-publisher-update</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586122756565-S6ULRVZATKE5B2G0C2AR/BLOCK2b.jpg</image:loc>
      <image:title>Features - Journal Completes Move to Ubiquity Press - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/lgbtqia-convener</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-27</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/forwards-backwards</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013282108-VF7BZ1LGCSJJUAVC3VYL/SAHGB_01.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Barns subsiding with their skyline</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013282097-8YN3CTKK2XWIXO2WP486/SAHGB_20.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Material morphing</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013285928-NI9DQ00FHMERUEKM6A0A/SAHGB_13.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Signs of promise</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013286235-S7LXNL1R4D6EQRCSENFQ/SAHGB_12.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Consolidating materials</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013290498-JOG9H9U3MXZSVLL9JN80/SAHGB_11.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Tendrils shall inherit the earth</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013290997-9TQNNUM0TI6CXFQS7R14/SAHGB_10.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Bridge to a secret garden</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013295131-OV7E83M3SMY0EXBSOFR9/SAHGB_09.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Stairways</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013295487-8VQ23WV517YXFUMASKDX/SAHGB_08.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Wrinkles of time and promise of a facelift</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013299152-KJKMDHCGO42H1D27FCAT/SAHGB_07.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - An 18th century mansard roof overlooking its decaying farmyard</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013299531-7KQYOUSUKDU6YF8UJ456/SAHGB_06.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Slithers of light fall on rotting floor joists</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013303307-SD7VKOECBNXVPOUQR4XZ/SAHGB_05.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Glimpses through subsiding stone</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013303114-B9JBGMFUXDEALGTOP2VJ/SAHGB_04.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Corrugate shadows</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013306861-0L2YOMBWAW71X9D3UWUE/SAHGB_03.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Barns bulging under a weight of asbestos roof</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1769013306587-POLQ7OC5QX33ICDZIPL8/SAHGB_02.jpg</image:loc>
      <image:title>Features - Forwards, Backwards - Midsummer patina</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/architectural-history-volume-68</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/4d42eb68-81c6-4526-a1ec-e92dc75ad33d/v68+cover.jpg</image:loc>
      <image:title>Features - Volume 68 of Architectural History - Available Online via Cambridge University Press</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/sahgb-annual-awards-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1767293665104-0QSIL4TK0HMJQ7R1SWE3/Awards+Group+Photo+SAHGB+2025.png</image:loc>
      <image:title>Features - The 2025 Annual Awards Ceremony</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/colvin-special-award-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/in-conversation-with-sir-donald-insall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-21</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/professor-andrew-saint-1946-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/ad3218c5-9e2f-44c6-8512-1416d5059c77/Andrew+Saint+-+Architectural+History.jpeg</image:loc>
      <image:title>Features - Professor Andrew Saint (1946-2025) - Professor Andrew Saint (1946-2025)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/2025-shortlists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-29</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/announcing-the-recipients-of-the-sahgb-research-and-publication-grants-spring-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-28</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/ruins-and-remnants</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747328378795-6B6ZCJNSULHB9ORZQT9H/09_Ruined+Brickwork+Walls%2C+Ostia-min.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>Ruined Brickwork Walls, Ostia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747328429637-OE9OQGWXF7LZZ7WIYBVY/15_-min.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>Darkroom Print from the Temple of Hera, Paestum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747328451173-YWAMYS3IDVXKRYMPGOKA/14_Herringbone+Brick+Floor%2C+Ostia-min.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>Herringbone Brick Floor, Ostia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747328497665-280QS10LUEA3DDXO7IXR/13_-min.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>Shadows from the Italian Cypress Trees, Pompeii</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747328525239-GD4GP3RXRP4QRNM0JGZN/12_Column+Pedestal+and+Marble+Mosaic+Floor%2C+Rome-min.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>Column Pedestal and Marble Mosaic Floor, Rome</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747249417833-K47RNM7DAC400BYLPVGJ/11_Mosaics+in+the+Baths+of+Neptune%2C+Ostia.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>Mosaics in the Baths of Neptune, Ostia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747249415538-D7F6LH2XDYS3SUO1O6RX/10_Squashed+Pancake+Capitals+in+the+Temple+of+Hera%2C+Paestum.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>Squashed Pancake Capitals in the Temple of Hera, Paestum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747249431617-HP62M2SW7V2DR7IDQ86X/07_Relieving+Lintels+in+Ostia.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>Relieving Lintels in Ostia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747249434697-U3Y6L7QJBA9P65MTT16Z/06_Preserved+studs+on+a+door%2C+Pompeii.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>Preserved studs on a door, Pompeii</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747249437735-4CO8SKYC6SM2KUGCX2KL/05_The+Cappella+Castiglione+within+the+Basilica+San+Clemente+in+Rome.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>The Cappella Castiglione within the Basilica San Clemente in Rome</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747249442980-HWLKPE6YV8XNY89YEMMZ/04_Propped+Stone+Floor+in+the+Largo+di+Torre+Argentina%2C+Rome.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>Propped Stone Floor in the Largo di Torre Argentina, Rome</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747249443735-U69KZSFXFZCFW2A8KTVO/03_Interior+with+a+Chamfered+Window+Reveal%2C+Pompeii.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>Interior with a Chamfered Window Reveal, Pompeii</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1747249451142-5O2MO1VC37N7CUQQDG8B/02_Pieced+in+Carvings+on+the+Altar%2C+Basilica+of+Saint+Sabina%2C+Rome.jpg</image:loc>
      <image:title>Features - Ruins and Remnants</image:title>
      <image:caption>Pieced in Carvings on the Altar, Basilica of Saint Sabina, Rome</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/the-2024-annual-awards-ceremony</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/d6ce6eb6-8d0a-4039-acae-3488f0bfd167/Group+Photo+-+SAHGB+Awards+2024.jpeg</image:loc>
      <image:title>Features - The 2024 Annual Awards Ceremony - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/hawksmoors-limehouse-landmark-still-in-peril</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/c0ea685a-21ce-4c05-85e7-3e344a76831e/0C5A4737.jpg</image:loc>
      <image:title>Features - Hawksmoor’s Limehouse Landmark - Make it stand out</image:title>
      <image:caption>Image courtesy of Care for St Anne's.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/75508241-2f7d-49ef-9080-458c58181876/6+April+1850%2C+p.+233.jpg</image:loc>
      <image:title>Features - Hawksmoor’s Limehouse Landmark - Make it stand out</image:title>
      <image:caption>Image courtesy of Care for St Anne's.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/8b120d20-043b-42af-906a-07b105a815ea/0C5A4702.JPG</image:loc>
      <image:title>Features - Hawksmoor’s Limehouse Landmark - Make it stand out</image:title>
      <image:caption>Image courtesy of Care for St Anne's.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/aa88e4a7-d9be-428a-9984-e9064c809362/IMG_3660.jpg</image:loc>
      <image:title>Features - Hawksmoor’s Limehouse Landmark - Make it stand out</image:title>
      <image:caption>Image courtesy of Care for St Anne's.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/the-riba-collections-and-sahgb-survey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1719565853076-NABMRK2J14MGAEAIO4LX/RIBA29046.jpg</image:loc>
      <image:title>Features - The RIBA Collections Move: An update and survey</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1719563625153-GQXY2VP9PTCC03CX4U0I/RIBA14003.jpg</image:loc>
      <image:title>Features - The RIBA Collections Move: An update and survey</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1719566402121-2RHN84INHZQONSAI8RKW/RIBA127593.jpg</image:loc>
      <image:title>Features - The RIBA Collections Move: An update and survey</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/ec899072-5368-49a2-92c0-795b03bb53fe/RIBA32443.jpg</image:loc>
      <image:title>Features - The RIBA Collections Move: An update and survey - Miriam Wornum, Design for Library at 66 Portland Place</image:title>
      <image:caption>This collection is designated an Outstanding Collection and Accredited by the Arts Council England as a Museum both at 66 Portland Place and at the V&amp;A and offers a narrative that is as much about the bricks and mortar of buildings as it is about the communities and civilisations they serve. From incunabula to contemporary photographs that document today's architectural feats, RIBA's collections reveal the story of human ingenuity and creativity in shaping the built environment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/a8802d9f-b118-4e62-bc84-a22a5559bba8/RIBA4718.jpg</image:loc>
      <image:title>Features - The RIBA Collections Move: An update and survey</image:title>
      <image:caption>From the RIBA Collections: Wren, sign language.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/fa9fd849-8e6b-4d12-9633-a579b460e6f0/RIBA38310.jpg</image:loc>
      <image:title>Features - The RIBA Collections Move: An update and survey</image:title>
      <image:caption>From the outset, RIBA has been international in character, and the exchange of ideas was enshrined in RIBA’s foundation as “correspondence with Learned and Scientific Men in Foreign Countries.” This is the language of the 1830s, but if anything, the value placed on this by RIBA is ever greater as RIBA Chartered architects continue to develop and exert their global significance. For the collections, there is also the opportunity to support the work of international environmental organizations like UNESCO, UIA, ICOMOS, the World Green Building Council and the World Monuments Fund. It is a powerful combination of the role of architecture and architectural heritage best practice in addressing the challenges we all face.  RIBA’s ambition towards research positions the organisation and its future partners to make a lasting contribution to both the architectural profession and society. By focusing on sustainable, digital, and socially conscious architecture, and by promoting collaboration, diversity, and transparency, we can tackle the pressing challenges of our time.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1719564779914-82V7Y3P5TTETS3JZLW2Z/RIBA36622.jpg</image:loc>
      <image:title>Features - The RIBA Collections Move: An update and survey</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/countdown-to-the-sahgb-awards-an-interview-with-jane-grenville-pelfn-xr7ay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/dd2f106d-661f-4d9a-9476-791edc5e0a15/H+Block+plan++%281%29.JPG</image:loc>
      <image:title>Features - Interview with Louis Purbrick: ‘H Blocks: An Architecture of Conflict in and about Northern Ireland’ - Make it stand out</image:title>
      <image:caption>H Block plan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/fb4a04ca-01b2-4dc6-8127-793065a3f186/H+Block+roll%2C+adminstration+building+%282001%29.jpeg</image:loc>
      <image:title>Features - Interview with Louis Purbrick: ‘H Blocks: An Architecture of Conflict in and about Northern Ireland’ - Make it stand out</image:title>
      <image:caption>H Block roll, administration building, 2001</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/b46791a3-aa16-4d8c-a7f5-4e8dc3134cf4/Site+of+former+prison+Long+Kesh_Maze+%282003%29+%282%29.jpeg</image:loc>
      <image:title>Features - Interview with Louis Purbrick: ‘H Blocks: An Architecture of Conflict in and about Northern Ireland’ - Make it stand out</image:title>
      <image:caption>Site of former prison Long Kesh Maze, 2003.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/8b0d4170-3024-4cab-971a-e74ad3b1a7ba/H+Blcok+cell+visible+following+demolition+%282006%29+%281%29.jpeg</image:loc>
      <image:title>Features - Interview with Louis Purbrick: ‘H Blocks: An Architecture of Conflict in and about Northern Ireland’ - Make it stand out</image:title>
      <image:caption>H Block cell visible following demolition, 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/9bf9a652-d385-4953-a674-9474ef066dbb/Footprint+of+H+Block+exposed+after+demolition+%282006%29+%281%29.jpeg</image:loc>
      <image:title>Features - Interview with Louis Purbrick: ‘H Blocks: An Architecture of Conflict in and about Northern Ireland’ - Make it stand out</image:title>
      <image:caption>Footprint of H Block exposed after demolition, 2006.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/architecture-and-the-face-of-coal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/4ec286ed-5a88-48c2-b4ea-70cfee0cd084/Seafield+Colliery%2C+Kirkcaldy%2C+Fife%2C+1967%2C+designed+by+Egon+Riis.+Courtesy+of+the+National+Archives.jpeg</image:loc>
      <image:title>Features - Interview with Gary A. Boyd: ‘Architecture and the Face of Coal’ - Make it stand out</image:title>
      <image:caption>Seafield Colliery, Kirkcaldy, Fife, 1967, designed by Egon Riis. Courtesy of the National Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/73d046bb-e33d-48a4-abaa-9e4ecdbea54f/Hafodyrnys+Pithead+baths+South+Wales%2C+1936%2C+designed+by+W.+M.+Traylor%2C+Miners%27+Welfare+Committee+Architects.+Courtesy+of+the+National+Archives.JPG</image:loc>
      <image:title>Features - Interview with Gary A. Boyd: ‘Architecture and the Face of Coal’ - Make it stand out</image:title>
      <image:caption>Hafodyrnys Pithead baths South Wales, 1936, designed by W. M. Traylor, Miners' Welfare Committee Architects. Courtesy of the National Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/0fac3237-d3b7-4aa5-84dd-02bbe72f05ad/Women%27s+Washing+facilities+at+Chisnall+Hall+Colliery%2C+Lancashire%2C+1930s.+Courtesy+of+the+National+Archives.jpeg</image:loc>
      <image:title>Features - Interview with Gary A. Boyd: ‘Architecture and the Face of Coal’ - Make it stand out</image:title>
      <image:caption>Women's Washing facilities at Chisnall Hall Colliery, Lancashire, 1930s. Courtesy of the National Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/098d5ac0-16bd-4fb5-9a2c-cf1fe5feb65a/The+modern+architecture+of+Comrie+Colliery%2C+Fife%2C+designed+by+J.+H.+Forshaw%2C+and+shown+here+in+a+collage+encouraging+young+people+to+join+the+industry.+Mining+People+1945.+Out+of+copyright+%281%29.JPG</image:loc>
      <image:title>Features - Interview with Gary A. Boyd: ‘Architecture and the Face of Coal’ - Make it stand out</image:title>
      <image:caption>The modern architecture of Comrie Colliery, Fife, designed by J. H. Forshaw, and shown here in a collage encouraging young people to join the industry. Mining People, 1945 (Out of copyright).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/ac5d15e6-bf4e-4e05-b6d7-1af4ad791347/awards+template3.jpg</image:loc>
      <image:title>Features - Interview with Gary A. Boyd: ‘Architecture and the Face of Coal’ - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1703957607506-TZC3Z0W1OMZK3JRE15NN/PXL_20231215_194140430.MP.jpg</image:loc>
      <image:title>Features - Interview with Gary A. Boyd: ‘Architecture and the Face of Coal’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1703957641731-VEQJ84ZE9DIOQ5XJ9OWB/PXL_20231215_194318040.jpg</image:loc>
      <image:title>Features - Interview with Gary A. Boyd: ‘Architecture and the Face of Coal’</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/an-interview-with-author-jiat-hwee-chang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/6f85537d-a80f-483d-ad4d-21032d8bff8b/65_Former+Sub+Courts_conserved.jpg</image:loc>
      <image:title>Features - Interview with Jiat-Hwee Chang: ‘Everyday Modernism: Architecture and Society in Singapore’</image:title>
      <image:caption>Former Sub Courts, 1975, accorded conservation status in 2013 and cannot be demolished.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/d8d7de81-7d12-4dd6-ac1c-ca006d5651ba/33-Ang+Mo+Kio_Swimming_Complex.jpg</image:loc>
      <image:title>Features - Interview with Jiat-Hwee Chang: ‘Everyday Modernism: Architecture and Society in Singapore’ - Make it stand out</image:title>
      <image:caption>Ang Mo Kio Swimming Pool Complex, 1982. The Ang Mo Kio Swimming Pool Complex was one of many public swimming complexes built by the Housing and Development Board in the 1970s-80s. It will soon undergo major renovations which will change its form irreversibly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/fa2db507-6da8-4dba-ab63-919b1f6909ed/30-dover_pelican_playground_demolished_2012.jpg</image:loc>
      <image:title>Features - Interview with Jiat-Hwee Chang: ‘Everyday Modernism: Architecture and Society in Singapore’ - Make it stand out</image:title>
      <image:caption>Dover Pelican Playground. Animal-themed playgrounds like this one at Dover Road used to be commonly found all over Singapore. Most were demolished in the 1990s over safety concerns.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/999d7f68-4f33-47b7-9c63-03e0325593c9/2-Double-Curve+Block_168A_Queensway_1973.jpg</image:loc>
      <image:title>Features - Interview with Jiat-Hwee Chang: ‘Everyday Modernism: Architecture and Society in Singapore’ - Make it stand out</image:title>
      <image:caption>Block 168A Queensway is a one of a kind double curved public housing block built by the Housing and Development Board in 1973.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/7fa602df-210c-498d-a976-a57f6f832139/13-Pearl+Bank_Apartments_1976_demolished.jpg</image:loc>
      <image:title>Features - Interview with Jiat-Hwee Chang: ‘Everyday Modernism: Architecture and Society in Singapore’ - Make it stand out</image:title>
      <image:caption>Pearl Bank Apartments, 1976, demolished. Built in 1976, Pearl Bank Apartments was once the tallest residential building in Singapore. It was sold to a developer in 2018 and subsequently demolished for redevelopment in 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/5cc12bca-f23a-4eb4-8f87-229a3017c772/colvin3.jpg</image:loc>
      <image:title>Features - Interview with Jiat-Hwee Chang: ‘Everyday Modernism: Architecture and Society in Singapore’ - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1703958771270-IFENRXZV0YF1VPPPYW8S/01-everyday.jpg</image:loc>
      <image:title>Features - Interview with Jiat-Hwee Chang: ‘Everyday Modernism: Architecture and Society in Singapore’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1703958704053-PXWMPIL6F37EOBF97EBR/PXL_20231215_194919988.jpg</image:loc>
      <image:title>Features - Interview with Jiat-Hwee Chang: ‘Everyday Modernism: Architecture and Society in Singapore’</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/surfacing-stories-vam-architecture-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/c39c8c49-6768-4a14-8ee3-53664e74fdc8/Screenshot+2023-09-01+4.27.16+PM.png</image:loc>
      <image:title>Features - Surfacing Stories in the V+A and RIBA Architecture Gallery - Make it stand out</image:title>
      <image:caption>A view of ‘Surfacing Stories’ created with the ‘critical friends’ of the Architecture Gallery © Olivia Horsfall Turner 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/5a9e897d-f314-4143-8572-fdb066821b91/Screenshot+2023-09-01+4.26.49+PM.png</image:loc>
      <image:title>Features - Surfacing Stories in the V+A and RIBA Architecture Gallery - Make it stand out</image:title>
      <image:caption>Musing on new perspectives has been a key part of the conversation for the gallery’s next phase © Olivia Horsfall Turner 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/970a3264-abdb-4c3b-a33d-6fb7123e1519/Screenshot+2023-09-01+4.26.21+PM.png</image:loc>
      <image:title>Features - Surfacing Stories in the V+A and RIBA Architecture Gallery - Make it stand out</image:title>
      <image:caption>One of the challenges of the museum object label is the restriction of around 80 words Image © Olivia Horsfall Turner 2023</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/modernism-at-the-mall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/97bed95d-c63a-4f06-9b5e-9571940d598c/01_mall-map.jpg</image:loc>
      <image:title>Features - Modernism at the Mall - Make it stand out</image:title>
      <image:caption>Location Plan of Mall Studios © Tom de Gay</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1278b2b8-38b1-42bc-826d-c11e69cbc791/02_TheMallPlan.jpg</image:loc>
      <image:title>Features - Modernism at the Mall - Make it stand out</image:title>
      <image:caption>Plan and section of 3 Mall Studios © Celia Scott</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/9b1ec189-064a-48a0-8fb7-c9368c95452e/03_mall-aerial.jpg</image:loc>
      <image:title>Features - Modernism at the Mall - Make it stand out</image:title>
      <image:caption>Aerial view showing the Mall Studios, 1961 © Aerofilms Ltd</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/4854b513-2b3e-40af-91fa-dc0220582343/05_6TheMall-1919--Stephenson-painting.jpg</image:loc>
      <image:title>Features - Modernism at the Mall - Make it stand out</image:title>
      <image:caption>The Artist’s Studio, 6 Mall Studios, Cecil Stephenson, 1919 © The Artist’s Estate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/842de70c-e21c-4f0d-b85b-f9b5639f7a32/06_7-TheMall-B%26B+from-above_c.1932-Tate_8717.5.8.8.jpg</image:loc>
      <image:title>Features - Modernism at the Mall - Make it stand out</image:title>
      <image:caption>Hepworth and Nicholson, 7 Mall Studios, c. 1932, photo © Tate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/389f74f9-7183-46d3-b9a4-c9f7aac2a5cb/07_HerbertRead%2C+3+Mall+Studios%2C+1934%2C+%C2%A9Natinal+photo%C2%A9HowardCoster+.jpg</image:loc>
      <image:title>Features - Modernism at the Mall - Make it stand out</image:title>
      <image:caption>Herbert Read, 3 Mall Studios, 1934 © National Portrait Gallery, photo © Howard Coster</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/3ba8a985-de66-4510-b939-20a0fb344e19/08_7-TheMall-1933-byPaulLaib.jpg</image:loc>
      <image:title>Features - Modernism at the Mall - Make it stand out</image:title>
      <image:caption>7 Mall Studios, From ‘Unit One: The Modern Movement in English Architecture, Painting and Sculpture’, 1934. The De Lazlo Collection of Paul Laib Negatives, © Courtauld Institute of Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/atarah-adams-ma-scholar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/2e729bff-bf2b-4ac5-909a-1e9697904342/atarah_adams1.jpg</image:loc>
      <image:title>Features - Our MA scholar shares experiences from her Master’s in Conservation of the Built Environment - Make it stand out</image:title>
      <image:caption>SAHGB’s 2022-2023 MA scholar, Atarah Adams, practicing lime plastering with Simon Ayres. © Atarah Adams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/bffaf468-aec0-4dc7-b336-137509a1cf9b/atarah_adams3.jpg</image:loc>
      <image:title>Features - Our MA scholar shares experiences from her Master’s in Conservation of the Built Environment - Make it stand out</image:title>
      <image:caption>Photographs from Atarah’s workshop experiences. On the left, different Types of NHLs and hot mixed lime demonstration by Tim Ratcliffe, conservation architect, in a relevant workshop at the Llanymynech Limeworks Heritage Area. On the right, a ceramics workshop at the Jackfield Tile Museum. Exploring applications, issues and repairs of tiles, terracotta, and faience, there was an opportunity to learn the tube lining technique of tile decoration. The workshop also involved lectures and practical sessions on bricklaying, delivered by Terrence Lee, utilising the traditional brickwork, tools, techniques and site practices. © Atarah Adams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/0c7966f7-3749-466b-94b2-5a9011271ab1/atarah_adams2.jpg</image:loc>
      <image:title>Features - Our MA scholar shares experiences from her Master’s in Conservation of the Built Environment - Make it stand out</image:title>
      <image:caption>Lime mortar sample analysis by Atarah. © Atarah Adams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/b6187fa5-aeb0-42e0-934f-f6016dbb7fad/atarah_adams4.jpg</image:loc>
      <image:title>Features - Our MA scholar shares experiences from her Master’s in Conservation of the Built Environment - Make it stand out</image:title>
      <image:caption>Steel workshop at the Black Country Museum. Lectures from professionals demonstrated case studies of conserving and repairing different types of ferrous and non-ferrous metals, and the practical sessions allowed the students to try making both nails and S-hooks. © Atarah Adams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/ef6c3155-f241-4416-85e3-3caeb845af00/atarah_adams5.jpg</image:loc>
      <image:title>Features - Our MA scholar shares experiences from her Master’s in Conservation of the Built Environment - Make it stand out</image:title>
      <image:caption>Atarah’s case studies. On the left, Woodchester Mansion, and on the right, Babington Hospital (former Belper Union Workhouse). © Atarah Adams</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/helenthomas-womenwritingarchitecture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/a5f70c28-defb-4615-beb0-766d857ce596/Fig+1+Autointerview.png</image:loc>
      <image:title>Features - Women Writing Architecture: Communal Bibliography - Make it stand out</image:title>
      <image:caption>Landing page of womenwritingarchitecture.org, 1 March 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/f744f884-931c-4854-baee-96c2742224c4/Fig+2+People+and+Organisations.png</image:loc>
      <image:title>Features - Women Writing Architecture: Communal Bibliography - Make it stand out</image:title>
      <image:caption>Partial view of the People &amp; Organisations list on womenwritingarchitecture.org</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/189a3892-c674-4287-8cd9-a2582446bb81/Fig+3+GT+Glossator+cover.png</image:loc>
      <image:title>Features - Women Writing Architecture: Communal Bibliography - Make it stand out</image:title>
      <image:caption>Front cover of a Glossator in the Forum: Space as Matrix Constellation by Geraldine Tedder</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/6f582d28-5fc5-4e9f-b4fe-1c2f45349793/Fig+4+Impressions+on+the+Platform.png</image:loc>
      <image:title>Features - Women Writing Architecture: Communal Bibliography - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/architectural-history-vol65</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/398f176e-8f3c-471e-a9e1-8145b6e76750/ARH+VOL+65+COVER+Vfinal2.jpg</image:loc>
      <image:title>Features - Volume 65 of Architectural History - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/remembering-christopher-alexander</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/be3e369f-e006-4ba5-b9fb-ddc8d261741a/sjcolumncloseup.jpg</image:loc>
      <image:title>Features - Remembering Christopher Alexander - Make it stand out</image:title>
      <image:caption>Image courtesy of Center for Environmental Structure</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/ad334474-7c53-4ad9-aabd-87735fd5af4d/CA5_-_Eishin_Campus_Central_Hall.jpg</image:loc>
      <image:title>Features - Remembering Christopher Alexander - Make it stand out</image:title>
      <image:caption>Eishin Campus, Central Hall. Image courtesy of Center for Environmental Structure</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/doorstep</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/abc52c3d-b810-4427-80e1-cf1c34d01acf/Sharaye+Campbell+_SAHGB+_Jamaica_Sea.jpeg</image:loc>
      <image:title>Features - The Doorstep - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1639682329738-29WUIHPCZBNKQO74Z6TD/Sharaye+Campbell+_SAHGB+_The+Doorstep.jpeg</image:loc>
      <image:title>Features - The Doorstep</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1639682331629-44E9Q5ACRW9PNOEJO56K/Sharaye+Campbell+_SAHGB+_Jamaica2.jpeg</image:loc>
      <image:title>Features - The Doorstep</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1639682332405-5474D04181FPDS4XAF3X/Sharaye+Campbell+_SAHGB+_Jamaica.jpeg</image:loc>
      <image:title>Features - The Doorstep</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/57299a4d-43cb-4d2e-aaa5-2effeb498c5a/Sharaye+Campbell+_SAHGB+_Jamaica_Outdoor+Oven.jpg</image:loc>
      <image:title>Features - The Doorstep - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1639682653969-ISEFO7Z79FPZRKF67QN7/Sharaye+Campbell+_SAHGB+_Jamaica_The+Doorstep2.jpeg</image:loc>
      <image:title>Features - The Doorstep</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1639682654697-7653IRE086ENAMPWS7CW/Sharaye+Campbell+_SAHGB+_Britain_The+Home_Material+Culture1.jpeg</image:loc>
      <image:title>Features - The Doorstep</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1639682656196-YI99A8OGUXLT4M40M78P/Sharaye+Campbell+_SAHGB+_Britain_The+Home_Material+Culture2.jpeg</image:loc>
      <image:title>Features - The Doorstep</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/perceptions-of-florida-in-the-gilded-age</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/83091dbe-f87d-40d6-99e5-50abac8d3ee0/MORGENSTERN_1_Blog+Post_+Pleuthner_Panoramic+View+Palm+Beach.jpg</image:loc>
      <image:title>Features - Perceptions of Florida in the Gilded Age - Make it stand out</image:title>
      <image:caption>Fig 1: Pleuthner, W. K., Panoramic view of West Palm Beach, North Palm Beach and Lake Worth. [S.I, 1915], Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/4703c7d9-edd4-437c-bcce-a882afa92c66/MORGENSTERN-1-Whitehall-Eastelevation-photo.jpg</image:loc>
      <image:title>Features - Perceptions of Florida in the Gilded Age - Make it stand out</image:title>
      <image:caption>Fig 2: Whitehall, Palm Beach, Florida, Carrère &amp; Hastings, 1900–02, entrance (east) facade, photograph of 2019 (Flagler Museum Archives)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/darker-than-blue-the-eye-behind-the-camera</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1633877520592-IHANEEZII5Y2T4U4RGH1/Figure+1.jpg</image:loc>
      <image:title>Features - Darker Than Blue - The Eye Behind the Camera - Make it stand out</image:title>
      <image:caption>Maxime Du Camp’s photograph of Hadji-Ishmael standing amongst the temple ruins in a loin cloth (1849-50).  Source: Gilman Collection, Gift of The Howard Gilman Foundation, 2005 (2005.100.376.40).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1633877539745-LKOIIA9HRF6TAC24GEPK/Figure+2.jpg</image:loc>
      <image:title>Features - Darker Than Blue - The Eye Behind the Camera - Make it stand out</image:title>
      <image:caption>Maxime Du Camp’s assistant perched on top of a sculpture of Ramses II for scale (1850) Source: Gilman Collection, Gift of The Howard Gilman Foundation, 2005 (2005.100.376.149)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/dawn-carr-receives-inaugural-sahgb-ma-scholarship</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-24</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/journal-special-collection-2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-02</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/shortlists-revealed-for-the-alice-davis-hitchcock-medallion-and-the-colvin-prize</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-24</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/other-feminist-stories-of-architecture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1625085293312-9B2WG2VDIHE1K9TAF9U3/Figure+1.png</image:loc>
      <image:title>Features - ‘Other Feminist Stories’ of Architecture - Make it stand out</image:title>
      <image:caption>Figure 1. Lin on the beam of the Kaiyuan Temple in Hebei, 1933. We have taken all reasonable steps but are unable to determine the copyright owner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1625085307023-YE35H7O474Y00KHEJLC0/image-asset.jpeg</image:loc>
      <image:title>Features - ‘Other Feminist Stories’ of Architecture - Make it stand out</image:title>
      <image:caption>Figure 2. Dora Riedel in 1935. @ #MujerArquitectA</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/postwarlandscape4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1622659991181-IPFA3539UNMAIXZYQI4G/%C2%A9Csepely-Knorr_Rugeley+Power+Station_Brenda+Colvin.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – Heritage Assets and Contemporary Life</image:title>
      <image:caption>©Csepely-Knorr_Rugeley Power Station_Brenda Colvin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1622660066901-TH1VQ6EUJUUV0B5ZPQAP/%C2%A9KarenFitzsimon+Aarhus+University+amphitheater+by+C.+Th.+S%C3%B8rensen+%28%7E1947%29+.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – Heritage Assets and Contemporary Life</image:title>
      <image:caption>©KarenFitzsimon Aarhus University amphitheater by C. Th. Sørensen (~1947)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1622660130741-BHLJ5JA6V5TSE3BIHTWI/%C2%A9KarenFitzsimon+Sun+Life+of+Canada+Amphitheater+by+Preben+Jakobsen+1984-86.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – Heritage Assets and Contemporary Life</image:title>
      <image:caption>©KarenFitzsimon Sun Life of Canada Amphitheater by Preben Jakobsen 1984-86</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1622661162869-QQ37R8MVIN4UIALGJ622/%25C2%25A9KarenFitzsimon%2BSun%2BLife%2Bof%2BCanada%2BHanging%2BGardens%2Bby%2BPreben%2BJakobsen%2B1984-86.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – Heritage Assets and Contemporary Life - ©KarenFitzsimon Sun Life of Canada Hanging Gardens by Preben Jakobsen 1984-86</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1622661057428-Y14934L6TVK9ZZ7ZATFI/%C2%A9LI-MERL+Cliff+Tandy+Collection-Commonwealth+Institute+P+TAN+PH5.7.90.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – Heritage Assets and Contemporary Life - ©LI-MERL Cliff Tandy Collection-Commonwealth Institute P TAN PH5.7.90</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1622661068871-46GBIEDAG0CUE02ENFBL/%C2%A9LI-MERLMichael+Brown+Collection_RNCM.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – Heritage Assets and Contemporary Life - ©LI-MERLMichael Brown Collection_RNCM</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1622661074287-F3MDDJPMIB72R771PFL8/%C2%A9Wikimedia+Commons_John+Bridgeman_Curtis_Gardens_Fox_Hollies_Play_sculpture.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – Heritage Assets and Contemporary Life - ©Wikimedia Commons_John Bridgeman_Curtis_Gardens_Fox_Hollies_Play_sculpture</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/architecture-and-empathy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1618408156871-MLSMKFG12JPTIO8P1FAJ/New+Fig+1.jpg</image:loc>
      <image:title>Features - Modernism and Architectural Branding: Re-casting the histories of corporate headquarters</image:title>
      <image:caption>Fig 1: At the entrance to the Röhm and Haas Building, the abstract shapes of the columns create an arcade of light and shadow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1617985067031-A7KLO0KJIM3H2VK78QFU/87%2C+Figure+2.jpg</image:loc>
      <image:title>Features - Modernism and Architectural Branding: Re-casting the histories of corporate headquarters</image:title>
      <image:caption>Figure 2: A leasing brochure boasted of ‘Superb office space in the handsome new Röhm &amp; Haas Building under construction where the most exciting urban renewal is going forward . . .’, c.1963. Courtesy of Science History Institute, Röhm and Haas Company Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1617985188888-Q97IM85HMLQ6L7TI49IW/91%2C+Figure+4.jpg</image:loc>
      <image:title>Features - Modernism and Architectural Branding: Re-casting the histories of corporate headquarters</image:title>
      <image:caption>Figure 3: Textured Plexiglas sunscreen device on top left, supported by bronze-coloured aluminium structural members. Credit: © Ezra Stoller/Esto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1618408354191-66WYVLFZ26A3ZM18BT3B/New+Fig.4.jpg</image:loc>
      <image:title>Features - Modernism and Architectural Branding: Re-casting the histories of corporate headquarters</image:title>
      <image:caption>Artist György Kepes designed fifteen Plexiglas chandeliers for the Röhm and Haas building lobbies. Röhm and Haas Collection, Chemical Heritage Foundation, photo by Charles Locke © Ezra Stoller/Esto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1617984984502-WWO5693Z7ZA0MFMJ51SE/84%2C+Figure+1.jpg</image:loc>
      <image:title>Features - Modernism and Architectural Branding: Re-casting the histories of corporate headquarters</image:title>
      <image:caption>Röhm and Haas’s prominent site had clear sight lines to the colonial landmark, Independence Hall, on the lower left. Courtesy of Science History Institute, Röhm and Haas Company Archives.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/spaces-of-sickness-and-wellbeing-art-architecture-amp-experience</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1616753815710-9U7J8FXQSPZ99SL5VNTH/image001.jpg</image:loc>
      <image:title>Features - Spaces of Sickness and Wellbeing: art, architecture &amp;amp; experience</image:title>
      <image:caption>Nursing of a wounded man at the Hôtel Dieu of Beaunes, France. Photographic postcard, c.1930. Courtesy of the Wellcome Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1616753748391-3WBH75KOM1HCK2DOP7G8/image002.jpg</image:loc>
      <image:title>Features - Spaces of Sickness and Wellbeing: art, architecture &amp;amp; experience</image:title>
      <image:caption>Saint Peter and Saint John Healing a Lame Man and Saint Peter Raising Tabitha, 1853. Chromolithograph by Ludwig Grüner after Cesari Mariannecci, after Masolino’s mural at the Brancacci Chapel, Santa Maria del Carmine, Florence, 1425–27. Courtesy of the Wellcome Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1616753677359-N6VTO7PZZPCDTJ524O0U/image003.png</image:loc>
      <image:title>Features - Spaces of Sickness and Wellbeing: art, architecture &amp;amp; experience</image:title>
      <image:caption>The Gellért Baths, Danubius Hotel, Budapest, c.1930. Courtesy of the Wellcome Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/women-in-danish-architecture-a-new-research-project-on-gender-and-practice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615845818394-CONCVQV10CIO0M6N0C27/Picture%252B1_Anna%252BWeber%25252C%252BKvinden%252Bsom%252Bgartner%252Bog%252Bhavebruger_Front%252BPage.jpg</image:loc>
      <image:title>Features - Women in Danish Architecture: A New Research Project on Gender and Practice</image:title>
      <image:caption>Weber’s study, Kvinden som Gartner og Havebruger, shows that although women may be marginalised in written history, they constituted a diverse and active group in the fields of gardening and garden design during the early 1930s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615822797443-43R3ZH69U6F16RFZXQ7N/Picture+2_Anna+Weber%2C+Kvinden+som+gartner+og+havebruger_Women+Gardeners.jpg</image:loc>
      <image:title>Features - Women in Danish Architecture: A New Research Project on Gender and Practice</image:title>
      <image:caption>‘Contented and satisfied in overalls’; ‘One in plus fours and one in overalls’. In her book, Weber asked her female colleagues, ‘What outfit do you consider most appropriate for work?’ 62 of the 75 women preferred menswear over the traditional dress and white coat. By menswear, they primarily meant overalls and plus fours. Picture from Kvinden som Gartner og Havebruger, p. 53.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615822839228-OIJ9RAKISO1VR2BHUF68/Picture+3_Ragna+Grubb%2C+Karen+Hvistendahl%2C+Ingeborg+Schmidt.jpeg</image:loc>
      <image:title>Features - Women in Danish Architecture: A New Research Project on Gender and Practice</image:title>
      <image:caption>Architects Ragna Grubb, Karen Hvistendahl and Ingeborg Schmidt (left to right) with their winning proposal for a new floor plan for families with multiple children in Kantorparken, Copenhagen, 1937. Illustration: Royal Danish Library and Aftenbladet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615822956516-WNDXOSTCVV9CW3IGMC28/Picture+4_WIDA_Group+Photo.jpg</image:loc>
      <image:title>Features - Women in Danish Architecture: A New Research Project on Gender and Practice</image:title>
      <image:caption>The project is co-led by architectural historians Svava Riesto and Henriette Steiner. The project team comprises visual designer Liv Løvetand, architectural historian Jannie Bendsen, communications officer Mathilde Merolli, and research assistants Frida Irving Søltoft and Mathilde Lundt Larsen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/looking-for-the-absent-women-in-mufassal-towns-of-colonial-bengal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615219404708-ZCNL15XJH096IL9G7W62/FIG+1+PROVINCIAL+TOWN+CURRY+AND+RICE.jpg</image:loc>
      <image:title>Features - Looking for the ‘Absent’ Women in Mufassal Towns of Colonial Bengal</image:title>
      <image:caption>1. A provincial administrative town in colonial Bengal, mid-19th century. George Francklin Atkinson, Our Station, Plate 1, lithograph, from Atkinson, Curry and Rice (On Forty Plates) Or the Ingredients of Social Life at Our Station in India (London: Day &amp; Son, 1859). Credits: British Library Board, 1264.e.16.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615306654968-4V49BBRCWTIW68ALPQQQ/FIG%2B2%2BRamtanu%2BLahiri_s%2Bhouse%2BKrishnanagar.jpg</image:loc>
      <image:title>Features - Looking for the ‘Absent’ Women in Mufassal Towns of Colonial Bengal</image:title>
      <image:caption>2. Ramtanu Lahiri’s house, Krishnangar, mid-19th century. Credits (survey and drawing): author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615219458979-NRMIFTWB9SBQNBI7UUKP/FIG+3+Village+scene+around+a+pond+in+Rural+Bengal_Enlarged+Contrast.jpeg</image:loc>
      <image:title>Features - Looking for the ‘Absent’ Women in Mufassal Towns of Colonial Bengal</image:title>
      <image:caption>3. Village homestead in Bengal, 1860s (centre/centre-left, middle distance). Typically, multiple buildings of variable sizes such as the principal hut (sleeping and storage), verandah to receive guests, maternity room, rice-husking space, kitchen, cow-shed, grain store (gola) and straw stack would be clustered together. John Edward Sache, Village Scene Around a Pond in Rural Bengal, 1865. Credits: British Library Board, Photo 44/3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615219512859-YLUP7O8O3S1321LS0BYF/FIG+4B+Banerjee+House+Krishnanagar_EDITED+2+210225.jpeg</image:loc>
      <image:title>Features - Looking for the ‘Absent’ Women in Mufassal Towns of Colonial Bengal</image:title>
      <image:caption>4a (photo) and 4b (plan). Banerjee house, Goari, Krishnanagar. The baithak-khana (4a, left) was built in the 1860s as a multipurpose space for male family members. The inner house (4a, centre) and other female-oriented structures surrounding the interior courtyard were built by the late-19th century. Credits (survey, drawing and photo): author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615306982076-S0NSX07K2GWQ3E3RXAV7/FIG%252B4A%252BBanerjee%252Bhouse%25252C%252BKrishnanagar%252BPlan_sec.jpg</image:loc>
      <image:title>Features - Looking for the ‘Absent’ Women in Mufassal Towns of Colonial Bengal</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/stadiumandvolcano</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615218593595-HDPMVFN0K16OCI94KGYR/fig%2B1.jpg</image:loc>
      <image:title>Features - An Encounter between a Chinese Stadium and a Costa Rican Volcano on a Geophysicist’s Monitor</image:title>
      <image:caption>Fig. 1. Costa Rican National Stadium as scalar device for showing the geomorphological changes of the Turrialba Volcano, 2017–19. OVSICORI-UNA Archive. Image courtesy of Dr Cyril Müller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615216527127-HQCFXY6NFM87UBXN2NJH/FIg+2.jpg</image:loc>
      <image:title>Features - An Encounter between a Chinese Stadium and a Costa Rican Volcano on a Geophysicist’s Monitor</image:title>
      <image:caption>Fig. 2. Explosive activity of the Turrialba Volcano, 2015. Photo courtesy of Dr Guillermo E. Alvarado.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615216593654-9PRF1JZE3MZQPV7T4O9E/Fig+3.jpg</image:loc>
      <image:title>Features - An Encounter between a Chinese Stadium and a Costa Rican Volcano on a Geophysicist’s Monitor</image:title>
      <image:caption>Fig. 3. Aerial view of the Costa Rican National Stadium, 2019. Photo courtesy of Diego Chaves.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615216619682-YB2QXGTZ43EDBM5R74B5/Fig+4.JPG</image:loc>
      <image:title>Features - An Encounter between a Chinese Stadium and a Costa Rican Volcano on a Geophysicist’s Monitor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615216657261-OAV1PLPQAC0EU6V3OK22/Fig+5.JPG</image:loc>
      <image:title>Features - An Encounter between a Chinese Stadium and a Costa Rican Volcano on a Geophysicist’s Monitor</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/women-in-eastern-european-architecture-equal-rights-with-partial-emancipation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614789040224-ZXCS42OGZXBILDQ496HT/1_Sara_Cs_Juhasz_at+the+office%5B4%5D.jpg</image:loc>
      <image:title>Features - Women in Eastern European Architecture: Equal Rights with Partial Emancipation</image:title>
      <image:caption>1. Sára Cs. Juhász at the Budapest state design office with the model of a factory in the background in the 1950s. © The architect’s heirs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614789107557-Q09H1KJSAEOV4N8HI4DY/2_Sady_Z%CC%87oliborskie%5B2%5D.jpg</image:loc>
      <image:title>Features - Women in Eastern European Architecture: Equal Rights with Partial Emancipation</image:title>
      <image:caption>2. Sady Žoliborskie Estate, Warsaw, architect: Halina Skibniewska, 1958–63. © Wikimedia Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614789153984-YU4IUXD4TL7LWGO0I86Q/3_Children_Home%5B2%5D.jpg</image:loc>
      <image:title>Features - Women in Eastern European Architecture: Equal Rights with Partial Emancipation</image:title>
      <image:caption>3. Children’s Diagnostic Home, Bratislava, architect: Milica Marcinková, 1963–67. © Register of modern architecture, https://www.register-architektury.sk.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/postwar-landscape</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615153607864-44JH5V6WT9S2DEUK1AKR/Alexandra%2BRoad%2BEstate%2BDP251020%2B%25C2%25A9HistoricEngland.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – ‘A green place in which to live and work’: Landscapes by Sylvia Crowe and Janet Jack</image:title>
      <image:caption>Janet Jack with Neave Brown, Alexandra Road Park, Camden, 1974–9. Photo: © Historic England.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614789883482-VWQDOEH3HQCIZJA6WRIH/%C2%A9HistoricEngland+Harlow+Town+Park+water+gardens_EH00251.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – ‘A green place in which to live and work’: Landscapes by Sylvia Crowe and Janet Jack</image:title>
      <image:caption>Sylvia Crowe, Water Gardens, Harlow Town Park, 1963–4. Photo: © Historic England.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614789801838-SFDY23IEOC8DJHKSXOYO/%C2%A9HistoricEngland+Harlow+Town+Park+SE+quadrant_EH00268.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – ‘A green place in which to live and work’: Landscapes by Sylvia Crowe and Janet Jack</image:title>
      <image:caption>Sylvia Crowe, Harlow Town Park, South-Eastern Quadrant, 1949–53. Photo: © Historic England.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615015741983-UBR0LMPTVE3KRPKKWVJ5/%C2%A9HistoricEngland+Harlow+Town+Park+water+gardens_EH00258.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – ‘A green place in which to live and work’: Landscapes by Sylvia Crowe and Janet Jack</image:title>
      <image:caption>Sylvia Crowe, Water Gardens, Harlow Town Park, 1963–4. Photo: © Historic England.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615154212248-O74T0WV54CAEJVG2QCVR/Alexandra+Road+Estate+DP251022+%C2%A9+HistoricEngland.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – ‘A green place in which to live and work’: Landscapes by Sylvia Crowe and Janet Jack</image:title>
      <image:caption>Janet Jack with Neave Brown, Alexandra Road Park, Camden, 1974–9. Photo: © Historic England.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614790135121-OTA67GGCJ7XMRKW17POA/Alexandra+Road+Estate+DP251038+%C2%A9HistoricEngland.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – ‘A green place in which to live and work’: Landscapes by Sylvia Crowe and Janet Jack - Janet Jack with Neave Brown, Alexandra Road Park,  Camden, 1974–9. Photo: © Historic England.</image:title>
      <image:caption>Janet Jack with Neave Brown, Alexandra Road Park, Camden, 1974–9. Photo: © Historic England.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615153254861-HAJBPFJ89531HZRGNU6U/Alexandra+Road+Estate+DP251045+%C2%A9HistoricEngland.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – ‘A green place in which to live and work’: Landscapes by Sylvia Crowe and Janet Jack - Janet Jack with Neave Brown, Alexandra Road Park,  Camden, 1974–9. Photo: © Historic England.</image:title>
      <image:caption>Janet Jack with Neave Brown, Alexandra Road Park, Camden, 1974–9. Photo: © Historic England.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614790138864-4065O8LJPT6LF4JW9YMS/Alexandra+Road+Estate+DP251043+%CB%99HistoricEngland.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – ‘A green place in which to live and work’: Landscapes by Sylvia Crowe and Janet Jack - Janet Jack with Neave Brown, Alexandra Road Park,  Camden, 1974–9. Photo: © Historic England.</image:title>
      <image:caption>Janet Jack with Neave Brown, Alexandra Road Park, Camden, 1974–9. Photo: © Historic England.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1615154249997-27KV14GQI8VK697MG0W6/Alexandra+Road+Estate+DP251024+%C2%A9HistoricEngland.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes – ‘A green place in which to live and work’: Landscapes by Sylvia Crowe and Janet Jack - Janet Jack with Neave Brown, Alexandra Road Park, Camden, 1974–9. Photo: © Historic England.</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/gemini-huddersfield</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614186147138-6C37JDABVY7IYROQCEZL/1.png</image:loc>
      <image:title>Features - The Gemini: ‘A cess-pit run to make money out of sexual filth’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614186188746-FEGXO5W75FN7QYRXTDNH/2.png</image:loc>
      <image:title>Features - The Gemini: ‘A cess-pit run to make money out of sexual filth’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614188311562-YTNNFSBY34LXVMJ1XC1R/3.png</image:loc>
      <image:title>Features - The Gemini: ‘A cess-pit run to make money out of sexual filth’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614188317503-04SQP5THMXQ0B95D8DT3/5.jpg</image:loc>
      <image:title>Features - The Gemini: ‘A cess-pit run to make money out of sexual filth’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614188352051-5ZXGW7OT3CDJOD13304S/7.jpg</image:loc>
      <image:title>Features - The Gemini: ‘A cess-pit run to make money out of sexual filth’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614188564501-O0NSKXQEO93FP2ZSJFOD/4.jpg</image:loc>
      <image:title>Features - The Gemini: ‘A cess-pit run to make money out of sexual filth’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614189314623-VSSFNGPK0Q4JRYNIN5YB/6.jpg</image:loc>
      <image:title>Features - The Gemini: ‘A cess-pit run to make money out of sexual filth’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614189321064-HKUFBP94KLWVSWQQK93B/8.jpg</image:loc>
      <image:title>Features - The Gemini: ‘A cess-pit run to make money out of sexual filth’</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/scholarship-in-communion-writing-on-architecture-and-empire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614121299255-5LKL8D60VSH30MW7SD4Y/Image+1.jpg</image:loc>
      <image:title>Features - Scholarship in Communion: Writing on Architecture and Empire</image:title>
      <image:caption>1. The British Library, where the India Office Records are now housed. Photo: Sonali Dhanpal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614121362458-15WYFQSXVTLAN6O7E07L/Image+2.jpg</image:loc>
      <image:title>Features - Scholarship in Communion: Writing on Architecture and Empire</image:title>
      <image:caption>2. The Vidhana Soudha in Bangalore, home of the Karnataka State Archives. Photo: Sonali Dhanpal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1614121910975-YT4L3QLOXAXF1SW6QK8S/Image%2B3.jpg</image:loc>
      <image:title>Features - Scholarship in Communion: Writing on Architecture and Empire</image:title>
      <image:caption>3. Confidential documents from an unnamed archive in Hong Kong. Photo: Sben Korsh.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/architectural-tourism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1612173318844-7WUCREMPCKNNV7AA17BY/IMG_4706.jpg</image:loc>
      <image:title>Features - Architectural Tourism in a Time of Pandemic</image:title>
      <image:caption>Taj Mahal, Agra, Uttar Pradesh, India, 2016. Photo: Shelley Hornstein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1612173026147-QEUC49SDBFQ77DQAWU0C/can_ontario_place_5+%281%29.jpeg</image:loc>
      <image:title>Features - Architectural Tourism in a Time of Pandemic</image:title>
      <image:caption>Eberhard Zeidler, Cinesphere (1971), Ontario Place, Toronto. Photo: Andreea Muscurel and The Future of Ontario Place Project.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/post-war-landscapes-in-britain-the-landscape-architecture-of-michael-brown-and-preben-jakobsen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1612171320048-UNWH4PBNICJPY4WXZJUF/BroadwaterPark_Historic+England.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes — ‘Elegant and Simple Solutions’ to ‘Down to Earth Problems’: The Landscape Architecture of Michael Brown and Preben Jakobsen</image:title>
      <image:caption>Preben Jakobsen, Broadwater Park, Denham (1982–84). Photo: Historic England.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1612171502202-8CB41P3HH1WZQE88OIGP/Lancaster+Road+West_Csepely.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes — ‘Elegant and Simple Solutions’ to ‘Down to Earth Problems’: The Landscape Architecture of Michael Brown and Preben Jakobsen</image:title>
      <image:caption>Michael Brown, Lancaster Road (West) Estate, Kensington, London (1970). Photo: Luca Csepely-Knorr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1612229085522-0FD25C87M65CFDJ1R77U/Essex_Csepely.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes — ‘Elegant and Simple Solutions’ to ‘Down to Earth Problems’: The Landscape Architecture of Michael Brown and Preben Jakobsen</image:title>
      <image:caption>Michael Brown, University of Essex, Wivenhoe (1965). Photo: Luca Csepely-Knorr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1612171635911-4O2YH26V9JDGYE9P01YP/Livingstone_Csepely.jpeg</image:loc>
      <image:title>Features - Post-War Designed Landscapes — ‘Elegant and Simple Solutions’ to ‘Down to Earth Problems’: The Landscape Architecture of Michael Brown and Preben Jakobsen</image:title>
      <image:caption>Michael Brown, Winstanley Road Estate, Livingstone Road Section, Battersea, London (1962–66). Photo: Luca Csepely-Knorr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1612227948512-13DWEEV6Y1SF7JQL4XCI/The%2BLane_Blackheath_Fitzsimon.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes — ‘Elegant and Simple Solutions’ to ‘Down to Earth Problems’: The Landscape Architecture of Michael Brown and Preben Jakobsen</image:title>
      <image:caption>Preben Jakobsen, The Lane, Blackheath, London (1964). Photo: Karen Fitzsimon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/neoclassicism-in-london</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610140054793-EGC1NKYZL82IEZ99RYI3/temples.jpg</image:loc>
      <image:title>Features - Is Neoclassicism the Vernacular Architecture of the City of London?</image:title>
      <image:caption>A 1949 New Yorker cartoon, satirising the reliance of financial institutions on Graeco-Roman stylistic precedent.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610140120678-KA62XTRT20U7AWA540O7/tellsons.jpg</image:loc>
      <image:title>Features - Is Neoclassicism the Vernacular Architecture of the City of London?</image:title>
      <image:caption>Tellson’s Bank’s cramped Georgian quarters as described in A Tale of Two Cities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610550009470-SU4BE8SHK272H28QHH6J/DSC_0161.jpg</image:loc>
      <image:title>Features - Is Neoclassicism the Vernacular Architecture of the City of London?</image:title>
      <image:caption>Atlas Assurance, by Thomas Hopper (1836)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610550090849-ZFBYMB9RXE9GMOFD7GE0/hoare%252B2.jpg</image:loc>
      <image:title>Features - Is Neoclassicism the Vernacular Architecture of the City of London?</image:title>
      <image:caption>Hoare’s Bank, by Charles Parker (1830)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610140518642-OSOKMC1D4LVZ3PQIZ12V/DSC_0027.JPG</image:loc>
      <image:title>Features - Is Neoclassicism the Vernacular Architecture of the City of London?</image:title>
      <image:caption>City Bank, by William and Andrew Moseley (1856)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610140592878-XZ3Y3JQHOPCMRSIEAX40/DSC_0171.JPG</image:loc>
      <image:title>Features - Is Neoclassicism the Vernacular Architecture of the City of London?</image:title>
      <image:caption>Credit Lyonnais, by Frederic and Horace Francis (1868)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610550219057-H55S3CCRT3HISGBNDUGR/DSC_0302.jpg</image:loc>
      <image:title>Features - Is Neoclassicism the Vernacular Architecture of the City of London?</image:title>
      <image:caption>Prescott Bank, by H.C. Boyes (1892)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610550177023-Y2VP32HQQKC4K3OX7IQI/DSC_0035-1.jpg</image:loc>
      <image:title>Features - Is Neoclassicism the Vernacular Architecture of the City of London?</image:title>
      <image:caption>Union Discount, by J.M. Anderson (1890)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610140836274-ZPLAOFDO1C51A8K2OY34/llg02.jpg</image:loc>
      <image:title>Features - Is Neoclassicism the Vernacular Architecture of the City of London?</image:title>
      <image:caption>Liverpool, London and Globe Insurance, by J.M. Anderson (1905)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1610140918797-OPYRKOSTGXK3NXVZN15T/BLB03.jpg</image:loc>
      <image:title>Features - Is Neoclassicism the Vernacular Architecture of the City of London?</image:title>
      <image:caption>British Linen Bank, by J.M. Anderson (1903)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/post-war-landscapes-in-britain-heritage-values-and-forgotten-everyday-landscapes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611005699639-2JZJKSXL6A272TNEAYUX/Gibberd_Fitzsimon1.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes: Heritage Values and Forgotten Spaces</image:title>
      <image:caption>The Gibberd Garden, Harlow, Essex (1957–84) by Frederick Gibberd. Photo: Karen Fitzsimon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611006069297-9RJA097GCWVEHBLOJUOE/Brunel_Csepely-Knorr3.JPG</image:loc>
      <image:title>Features - Post-War Designed Landscapes: Heritage Values and Forgotten Spaces</image:title>
      <image:caption>Slide at the Brunel Estate, Westbourne Park Road, London (1973–74) by Michael Brown. Photo: Luca Csepely-Knorr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1611006284904-1BA9MST09FT2RF6EKEV9/CumminsEngineFactory_Historic+England+Archives.jpg</image:loc>
      <image:title>Features - Post-War Designed Landscapes: Heritage Values and Forgotten Spaces</image:title>
      <image:caption>Landscape by Dan Kiley at Cummins Engine Factory, Darlington (1964–66). Photo: Historic England Archives.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/adhhemsoll</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1607095102647-30JBPSN525COPZOEXR70/HEMSOLLImage3.jpg</image:loc>
      <image:title>Features - ADH 2020: Shortlist Interview - David Hemsoll</image:title>
      <image:caption>Bramante, Tempietto (c. 1510; © author). This much admired and imitated building dates (as argued here) from towards the end of Bramante’s life, after he had committed himself to an architecture that was inventive but now heavily reliant on the antique. The building, commemorating the first pope St Peter, was presumably commissioned by Bramante’s long-term patron Pope Julius II, who presented himself as a modern-day equal of Julius Caesar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1607095101148-S8E2FJFQR9OJID5SEFT5/HEMSOLLCover.jpg</image:loc>
      <image:title>Features - ADH 2020: Shortlist Interview - David Hemsoll</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/adhmorel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1607094563966-3QZO610KLOSVHFK2E825/Copy+of+MORELImage2.jpg</image:loc>
      <image:title>Features - ADH 2020: Shortlist Interview - Anne-Françoise Morel</image:title>
      <image:caption>Robert White, “Engraving of Henry VIII and Thomas Cranmer”, frontispiece of Richard Burnet, A History of the English Reformation […] (London: 1679), engraving. London, National Portrait Gallery. Image © National Portrait Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1607094747416-NM1HJDWK5CM2N55861R0/MORELCover.jpg</image:loc>
      <image:title>Features - ADH 2020: Shortlist Interview - Anne-Françoise Morel</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/adhsaumarezsmith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1607094036406-K7Y8ABDDPHHLUWL747OY/otto+1.png</image:loc>
      <image:title>Features - ADH 2020: Shortlist Interview - Otto Saumarez Smith</image:title>
      <image:caption>Model of the ambitious plan for Whitehall, 1965; Leslie Martin, Whitehall, A Plan for the National and Government Centre (1965). © Open Government Licence</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1607094039111-F060RPMZPKQBAKPZ2GF7/otto+2.jpg</image:loc>
      <image:title>Features - ADH 2020: Shortlist Interview - Otto Saumarez Smith</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/adhcampbell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1607379877755-JN1VR7GGIUWIP908PDAH/Dorich+House+_EL_EXTERIOR_+%281%29.jpg</image:loc>
      <image:title>Features - ADH 2020: Shortlist Interview - Louise Campbell</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1607095471656-6YQ9RW7ZIMI3UQRR9GGX/CAMPBELLCover.jpg</image:loc>
      <image:title>Features - ADH 2020: Shortlist Interview - Louise Campbell</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/learning-from-the-thesis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1606923771037-ZW5Y5E96P7ZIDGSS5ZCT/PORTRAIT+-Lynne+Walker.jpg</image:loc>
      <image:title>Features - Lynne Walker: Learning from the Thesis</image:title>
      <image:caption>Lynne Walker at St Mary Brookfield, London (1869–75) by William Butterfield, October 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1606924300825-Q99RSHRB5B6I94MYLI3F/Fig+112+Voewood%2C+Holt%2C+Norfolk%2C+west+wing+gable+viewed+from+garden+terrace+%282014%29.jpg</image:loc>
      <image:title>Features - Lynne Walker: Learning from the Thesis</image:title>
      <image:caption>Home Place (also called Voewood), Kelling, near Holt, Norfolk (1903–05) by E.S. Prior (architect) and Randall Wells (clerk of works). Credit: Martin Godfrey Cook: Edward Prior: Arts and Crafts Architect, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1606924100782-8XH0UY32ISPUH5VZV7J3/Prior-St.+Andrew_s+Roker-HEA-SAHGB.jpg</image:loc>
      <image:title>Features - Lynne Walker: Learning from the Thesis</image:title>
      <image:caption>St Andrew’s Church, Roker, near Sunderland, Tyne and Wear (1905–07) by E.S. Prior and Randall Wells (architects). Credit: James O. Davies/Historic England.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/adhstanek</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1606858088692-OEAG9S94UEJYJ0VK3Z8C/STANEKImage1.jpg</image:loc>
      <image:title>Features - ADH 2020: Shortlist Interview - Łukasz Stanek</image:title>
      <image:caption>Africa Hall (Women’s Hall 6), Kumasi (Ghana), 1964–65. Architect's Office KNUST, John Owusu-Addo/ Miro Marasović (chief university architect), Niksa Ciko (architect in charge). Photo by Ł. Stanek, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1606857880812-W0VSUBLJRK2KJSBDHAPG/STANEKCover+%281%29.jpg</image:loc>
      <image:title>Features - ADH 2020: Shortlist Interview - Łukasz Stanek</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/fascism-and-italys-fallen-soldiers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1606312309654-RMX31V599KUIA3XYYEIV/Figure+1.jpg</image:loc>
      <image:title>Features - Fascism and Italy’s Fallen Soldiers</image:title>
      <image:caption>Figure 1 Ossuary at Redipuglia, Italy, 1938. Source: Hannah Malone, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1606312429132-ZUSA6CI4HBG90M1XBGAR/Figure+2.jpg</image:loc>
      <image:title>Features - Fascism and Italy’s Fallen Soldiers</image:title>
      <image:caption>Figure 2 Ossuary at Mount Grappa, Italy, 1935. Source: Hannah Malone, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1606326487700-1KICC3VIH7C5DDKUPZEL/Figure%2B3.jpg</image:loc>
      <image:title>Features - Fascism and Italy’s Fallen Soldiers</image:title>
      <image:caption>Figure 3 Staglieno Cemetery, Genoa, Italy, 1844. Source: Hannah Malone, 2012.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/student-insurrections-at-the-postwar-aa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1605177041551-XIBN3E5MUCSCX8K92RQY/1.jpg</image:loc>
      <image:title>Features - ‘The Battle of the Principal’: Insurrection at the  Architectural Association</image:title>
      <image:caption>Michael Pattrick (centre) and Peter Shepheard (right) showing Gordon Russell around the AA’s annual exhibition of student work, July 1954. Credit: © AA Journal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1605177117829-H3E2TIDLCODZVWRNZQMA/2.jpg</image:loc>
      <image:title>Features - ‘The Battle of the Principal’: Insurrection at the  Architectural Association</image:title>
      <image:caption>AA students in the late 1950s. Credit: © AA Archives.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/remembering-londons-queer-nights-freedom-and-love-in-the-archives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1604398213784-SLHKWZ7CMGYVXGJVPP4I/image001.jpg</image:loc>
      <image:title>Features - Remembering London’s Queer Nights: Freedom and Love in the Archives</image:title>
      <image:caption>Laser hands in the air. Credit: Gadgee Fadgee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1604398250988-X78R0P8GXH4ICVDMU528/image003.jpg</image:loc>
      <image:title>Features - Remembering London’s Queer Nights: Freedom and Love in the Archives</image:title>
      <image:caption>Print depicting The Cave of the Golden Calf. Credit: Daily Mirror (4 July 1912).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1604398305571-A19YILTO6CMOY8YT94G0/image005.jpg</image:loc>
      <image:title>Features - Remembering London’s Queer Nights: Freedom and Love in the Archives</image:title>
      <image:caption>Turnmills, on the corner of Clerkenwell Road and Turnmill Street, now demolished.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1604411615432-CJ3EGDNEIPB5TNYAFDCO/4_Stone-Nest-performance-venue.jpg</image:loc>
      <image:title>Features - Remembering London’s Queer Nights: Freedom and Love in the Archives</image:title>
      <image:caption>The LimeLight, Shaftesbury Avenue. Credit: Richard Bryant.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/toddreisz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603986914092-HCG6XGA3YKIKISQKYUFO/img266_JRH.jpg</image:loc>
      <image:title>Features - A Cathedral for Coventry, A Hospital for Doha</image:title>
      <image:caption>John R. Harris, probably on site at Doha State Hospital, mid-1950s. John R. Harris Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603897701470-DT0M307BGZ7Y7T8C3A1S/Doha+hospital+bw_Crop.jpg</image:loc>
      <image:title>Features - A Cathedral for Coventry, A Hospital for Doha</image:title>
      <image:caption>Doha State Hospital, mid-1950s. John R. Harris Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603897666190-8WDU0BLT04HKGMR00M2J/SB2018_Reisz742.jpg</image:loc>
      <image:title>Features - A Cathedral for Coventry, A Hospital for Doha</image:title>
      <image:caption>Site plan, Doha State Hospital, including the region’s largest hospital and a campus providing housing to staff. John R. Harris Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603897831542-71ME92YGNAQN8MQXL2Q5/SB2018_Reisz745.jpg</image:loc>
      <image:title>Features - A Cathedral for Coventry, A Hospital for Doha</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603898450637-B817WFBNPH5E97KWSK46/SB2018_Reisz747.jpg</image:loc>
      <image:title>Features - A Cathedral for Coventry, A Hospital for Doha</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603897844514-G5XYNR2Y9E6931ROUINJ/SB2018_Reisz746.jpg</image:loc>
      <image:title>Features - A Cathedral for Coventry, A Hospital for Doha</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603897531982-66WLTF969TQTYXSN85AI/jlp01_01_025_06.jpg</image:loc>
      <image:title>Features - A Cathedral for Coventry, A Hospital for Doha</image:title>
      <image:caption>The architect Basil Spence using an architectural model to explain the site of the new Coventry Cathedral to Queen Elizabeth II, 23 March 1956. © Historic England Archive. John Laing Photographic Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/joyevelynwilson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603987130490-1LPBUQFGQ6WBLVE0V064/1.JPG</image:loc>
      <image:title>Features - The Immersive Ammanuensis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603986918083-SH2HDGRCLKQVKT7PJ4YZ/2.JPG</image:loc>
      <image:title>Features - The Immersive Ammanuensis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1603986941670-TU16MALUUJDPZS1T1HU1/3.JPG</image:loc>
      <image:title>Features - The Immersive Ammanuensis</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/beirut</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602865385864-3H2IZH60Q17QDY8WKYIO/1.+Credits+-+Carl+Gerges.jpg</image:loc>
      <image:title>Features - The Crisis of Heritage in Beirut: Corruption, Capital and Reconstruction</image:title>
      <image:caption>1. Traditional houses in Mar Mikhael, destroyed by the 4 August blast. Credit: Carl Gerges.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602865830658-1SYMA09P06W50G810ILR/2.+Credits+-+Yasmina+Chami.JPG</image:loc>
      <image:title>Features - The Crisis of Heritage in Beirut: Corruption, Capital and Reconstruction</image:title>
      <image:caption>2. Destroyed central hall in Gemmayzeh. Credit: Author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602866112733-1DLLFKMOB494TQ2I51VW/3.+Credits+-+Yasmina+Chami.JPG</image:loc>
      <image:title>Features - The Crisis of Heritage in Beirut: Corruption, Capital and Reconstruction</image:title>
      <image:caption>3. Abandoned mansion in Sanayeh. Credit: Author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602866737509-NFW3UD3YKD5MVRGITGFU/4.+Credits+-+Yasmina+Chami.JPG</image:loc>
      <image:title>Features - The Crisis of Heritage in Beirut: Corruption, Capital and Reconstruction</image:title>
      <image:caption>4. Recovery efforts by newly formed coalitions of NGOs in Gemmayzeh and Mar Mikhael. Credit: Author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602866780866-LFTWC7SIBHCF005IP1Q7/5.+Credits+-+Yasmina+Chami.JPG</image:loc>
      <image:title>Features - The Crisis of Heritage in Beirut: Corruption, Capital and Reconstruction</image:title>
      <image:caption>5. Destroyed central hall that housed a series of restaurants and a bakery in Mar Mikhael. Credit: Author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602867112712-M8RSYDUKBB0ZEYLPWJZE/6.+Credits+-+Yasmina+Chami.jpg</image:loc>
      <image:title>Features - The Crisis of Heritage in Beirut: Corruption, Capital and Reconstruction</image:title>
      <image:caption>6. Evolution and transformation of the historic urban fabric of Beirut and its associated dominant type, the central hall. Drawn by author based on maps by May Davie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602867510882-ZLRT1QTFKDTNUWIVH0YB/7.+Credits+-+Pietro+Savorelli.jpg</image:loc>
      <image:title>Features - The Crisis of Heritage in Beirut: Corruption, Capital and Reconstruction</image:title>
      <image:caption>7. Residences Ibrahim Sursock by Ziad Akl Architects. Credits: Pietro Savorelli.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1602867597430-TU0WD0HGPJZ3D4SEMDI6/8.+Credits+-+Carl+Gerges.jpg</image:loc>
      <image:title>Features - The Crisis of Heritage in Beirut: Corruption, Capital and Reconstruction</image:title>
      <image:caption>8. Textured fabric of Mar Mikhael and Gemmayzeh. Credit: Carl Gerges.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/queering-the-emessai-sur-larchitectureem-laugiers-politics-of-exclusion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1601893646015-8U5OPLKZDYARDXYI16WF/FIGURE%2BONE%2BLAUGIER%2B.jpg</image:loc>
      <image:title>Features - Queering the &lt;em&gt;Essai sur l’Architecture&lt;/em&gt;: Laugier’s Politics of Exclusion</image:title>
      <image:caption>Marc-Antoine Laugier, Essai sur l’architecture, 1753, engraving by Charles Eisen, primitive hut with allegorical figure of Architecture. Copyright: Artstor.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/those-first-few-months-in-your-doctoral-programme-</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1601458630486-SF5DWNK7BPN6NPYXSCPZ/Model_of_the_British_Library.jpg</image:loc>
      <image:title>Features - Those first few months in your  doctoral programme …</image:title>
      <image:caption>Model of the British Library ,St Pancras (1982–97), by Colin St John Wilson and Mary Jane Long. Photograph by Mike Peel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/variations-on-a-theme-regional-differences-in-our-pubs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1599390628607-4SYF5PDGE71BQ6XKPAZ9/2+Birmingham+Blk+Horse+ext.JPG</image:loc>
      <image:title>Features - Variations on a Theme: Regional Differences in Pubs</image:title>
      <image:caption>The Black Horse, Northfield, Birmingham (1929). This vast road-house is almost certainly the grandest expression of the nostalgic Tudor Revival in pub architecture during the early 20th century. Photo: Geoff Brandwood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1599391115039-63NHCCZ7M1ULVKEFYZET/1+Bham+Digbeth+Anchor+.jpg</image:loc>
      <image:title>Features - Variations on a Theme: Regional Differences in Pubs</image:title>
      <image:caption>The Anchor (1902), adjacent to Digbeth Bus Station in Birmingham, is representative of many similar pubs in the city and adjacent area. Photo: Geoff Brandwood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1599392243895-IBKMEX0O60GMIXIRQ3YA/3%2BPortsmouth-NorthEnd-Fountain-MainEntrance.jpg</image:loc>
      <image:title>Features - Variations on a Theme: Regional Differences in Pubs</image:title>
      <image:caption>The Edwardian ceramic frontage of the Fountain, North End, Portsmouth. Photo: Michael Schouten.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1599392353332-5C3MBVB2AOAJA5JVEVGX/4%252BFox%252BGosport.jpg</image:loc>
      <image:title>Features - Variations on a Theme: Regional Differences in Pubs</image:title>
      <image:caption>Colourful ceramic work at the Fox Tavern, Gosport, to entice the local populace. Photo: David Seall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1599391454587-DROQ5DFUKOQLU9WVK6KJ/5+Stockport+Alexandra+int+1.JPG</image:loc>
      <image:title>Features - Variations on a Theme: Regional Differences in Pubs</image:title>
      <image:caption>The Alexandra, Stockport (1911), has a drinking lobby with rooms leading off and a fine array of ceramic decoration. Photo: Geoff Brandwood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1599391456453-IC5TF9EOWUNNNKGIEH6D/6+Mers+Phil+int+1+copy.jpg</image:loc>
      <image:title>Features - Variations on a Theme: Regional Differences in Pubs</image:title>
      <image:caption>The central core of the Philharmonic Dining Rooms, Liverpool (c. 1898–1900), which in February 2020 became the first Victorian pub to receive a Grade I listing. Photo: Geoff Brandwood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1599392671231-5X70BKV7YEOTPS7UDRM7/7%2BStockport%2BSwan%2B2%2BNecks%2Bint%2B1.jpg</image:loc>
      <image:title>Features - Variations on a Theme: Regional Differences in Pubs</image:title>
      <image:caption>Te front entrance at the Swan with Two Necks, Stockport (1926) leads to a corridor that expands to form a drinking area in front of the servery. Photo: Geoff Brandwood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1599391768530-5TGQWKHPGNI9FWDDMFC5/8+Mers+Stork+portr_edited-1.jpg</image:loc>
      <image:title>Features - Variations on a Theme: Regional Differences in Pubs</image:title>
      <image:caption>The Stork, Birkenhead, with L-shaped drinking corridor wrapping round servery and public bar. There are screens with sliding sashes to obtain service. These fittings are probably of c. 1905. Photo: Geoff Brandwood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1599393505772-CNC300E61IUAITMSR33K/9%2BMarylebone%2BBarley%2BMow%2Bint%2B4%2Brev.jpg</image:loc>
      <image:title>Features - Variations on a Theme: Regional Differences in Pubs</image:title>
      <image:caption>Attached to the servery at the Barley Mow, Marylebone, London, are two very small drinking boxes, unique survivals of what were probably common in London pubs. Photo: Geoff Brandwood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1599393324980-RMVX4O1Y3573LIDH3SPR/10%252BSquare%252Band%252B%252BCompass%25252C%252BWorth%252BMatravers%252Bcellar%252Bby%252BMichael%252BSlaughter%252BLRPS.jpg</image:loc>
      <image:title>Features - Variations on a Theme: Regional Differences in Pubs</image:title>
      <image:caption>Dispensing direct from cask, the Square &amp; Compass, Worth Matravers, Dorset. Such would have been pretty much universal 200 years ago. Photo: Michael Slaughter.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/edward-maufe-the-architect-and-his-clients</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598006898859-KPJDL3IU0SK1G8TSX4OL/1.%252BCyril%252BCarter.jpg</image:loc>
      <image:title>Features - Edward Maufe: The Architect and His Clients</image:title>
      <image:caption>Cyril Carter, owner of Poole Pottery, who commissioned Yaffle Hill. © Paul Carter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598110537224-OSORHRSB064YNCVHL0D2/3.+Yaffle+Hill.jpg</image:loc>
      <image:title>Features - Edward Maufe: The Architect and His Clients</image:title>
      <image:caption>Yaffle Hill, Broadstone, 1917. © Juliet Dunmur.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598110511135-OP4160V0UOSPIZ0W6KM4/2.+three+steps+down+YH.jpg</image:loc>
      <image:title>Features - Edward Maufe: The Architect and His Clients</image:title>
      <image:caption>View from the dining room at Yaffle Hill, down the required three steps to the light-filled sitting room. © Paul Carter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598110960973-XGA5T3VISPIVYN8X16IS/5.+Guildford+interior+2018.jpg</image:loc>
      <image:title>Features - Edward Maufe: The Architect and His Clients</image:title>
      <image:caption>Interior of Guildford Cathedral, 2018. © Juliet Dunmur.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598350791223-8DHIJ8B043NY2G22WXSA/FH7047_464_1953.jpg</image:loc>
      <image:title>Features - Edward Maufe: The Architect and His Clients</image:title>
      <image:caption>Edward and Prudence Maufe (right) with the Bishop of Guildford, Montgomery Campbell, and his daughter. ‘In his hand Mr Maufe carries the little box of slides, with the help of which he told a meeting organised by the Master Builders of the surrounding district something of the great project on Stag Hill.’ Farnham Herald, 18.5.1953. Courtesy of the Farnham Herald.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598111268132-LAB9WFB0RAVORMN67EGM/6.+Queen+Mary+arrving+for+service.jpg</image:loc>
      <image:title>Features - Edward Maufe: The Architect and His Clients</image:title>
      <image:caption>Queen Mary with the Reverend Jimmy Butterworth at the opening of Clubland in May 1939. © John Butterworth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598111273003-N2SNOFWBKZINOVBCQDOM/7.+Maufes+unveiling+stone.jpg</image:loc>
      <image:title>Features - Edward Maufe: The Architect and His Clients</image:title>
      <image:caption>Maufe with Butterworth and Prudence at the unveiling of the rebuilt Clubland premises in 1959. © John Butterworth.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/shortlists-revealed-for-the-alice-davis-hitchcock-medallion-and-colvin-prize</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-24</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/rainbow-plaques-making-queer-history-visible</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1597874803917-CH79BQXAJV104TCELPRH/Anne_Lister_plaque.jpg</image:loc>
      <image:title>Features - Rainbow Plaques: Making Queer History Visible</image:title>
      <image:caption>Permanent rainbow plaque for Anne Lister, Holy Trinity Church, Goodramgate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598093663254-ENNN4HNMBA8TDR8RXT7N/York%2B7%2B.jpg</image:loc>
      <image:title>Features - Rainbow Plaques: Making Queer History Visible</image:title>
      <image:caption>‘Stuart Feather met John Chesterman…’, Church Lane, York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598093965026-3Q38FJR86DHKHI1RMAKX/York%2B3.jpg</image:loc>
      <image:title>Features - Rainbow Plaques: Making Queer History Visible</image:title>
      <image:caption>‘Anne Lister – Britain’s first modern lesbian’, King’s Manor, University of York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598093262753-X4CSJ91BO0PN722MA11O/York+1a.jpg</image:loc>
      <image:title>Features - Rainbow Plaques: Making Queer History Visible</image:title>
      <image:caption>‘York’s First LGBT Archive’, York Library, Library Square, York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598093361692-A8W1WPAAEN2MBYFTNEP9/York+6.jpg</image:loc>
      <image:title>Features - Rainbow Plaques: Making Queer History Visible</image:title>
      <image:caption>‘York Castle Museum: Here men were imprisoned for committing the act of sodomy...’, Tower Street, York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598093776040-QMHMTS59B1VLQH0RCQB6/York+9.jpg</image:loc>
      <image:title>Features - Rainbow Plaques: Making Queer History Visible</image:title>
      <image:caption>‘In the 1930s (on) LGBT people were known to occupy the first floor flat…’, Micklegate, York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1598093703784-GJ0LKR3EDTMX0VTKQBHK/York+8.jpg</image:loc>
      <image:title>Features - Rainbow Plaques: Making Queer History Visible</image:title>
      <image:caption>‘Dedicated to the long-suffering staff of WH Smiths…’, Coney Street, York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/queer-infrastructures-and-architectural-histories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1596801417882-BP7JDJ1E6PJS5ZGPOOJX/Cultural+Infrastructure+Map</image:loc>
      <image:title>Features - Queer Infrastructures and Architectural Histories</image:title>
      <image:caption>Cultural Infrastructure Map Plotting the location of cultural infrastructure, this evolving map created by the Mayor of London enables the user to view cultural infrastructure, including LGBT+ venues, alongside useful contextual data such as transport networks and population growth, and has the capacity for user feedback.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1596642936152-XDINW4X48JT919ZLW8EQ/image002.jpg</image:loc>
      <image:title>Features - Queer Infrastructures and Architectural Histories</image:title>
      <image:caption>The Glass Bar, Euston, 2007. Photograph: Stephen McKay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1596642248096-MS2MUA9I8X46INVY88WI/image001.jpg</image:loc>
      <image:title>Features - Queer Infrastructures and Architectural Histories - Drawing for planning application indicating alterations to convert 190 West Lodge, Euston Square, into a bar, 1996.</image:title>
      <image:caption>A women-only members’ club, The Glass Bar, established by Elaine McKenzie in response to a lack of venues for women and black lesbian and gay people, in a scene that was experienced as homogeneous and white. It occupied the Grade II-listed West Lodge, Euston, designed by J.B. Stansby. Perhaps the most monumental of London’s recent LGBTQ+ licensed premises, it was also well-hidden in the urban fabric. The building had previously been a British Rail office and, in the mid-1970s, provided temporary accommodation for GALS (Girls Alone in London Service), an advisory for homeless girls. After dramatic rent increases and faced with high maintenance costs, McKenzie was forced to close the venue in 2008.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/the-carlisle-experiment-the-inter-war-pub-and-me</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595690706939-D3DKV6SOZEI8UA7C3IP1/PUBS+Boars+Head%2C+Perry+bar+Birmingham+by+F+J+Osborne++from+Architecture+Illustrated+June+1937++copy.jpg</image:loc>
      <image:title>Features - The Carlisle Experiment, the Inter-war Pub, and Me</image:title>
      <image:caption>Frank J. Osborne, The Boars Head (1937), Perry Bar, Birmingham. It’s hard for pubs to look sober, but this one gets close, particularly in contrast to its ‘Brewers Tudor’ contemporaries .</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595691158559-9QA40WP1Y25JZAB9P99N/PUBS+The+Welcome+Inn+Southmead+Bristol+opened+1933+ext+1935.jpg</image:loc>
      <image:title>Features - The Carlisle Experiment, the Inter-war Pub, and Me</image:title>
      <image:caption>How to make an architectural historian? First catch your Neo-Tudor pub – The Welcome Inn (1933), Southmead, Bristol, the author’s home from the age of seven.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595689651815-D1Z9CIJY36TCRF1KYJ1T/Pubs+Carlisle+The+Apple+Tree.JPG</image:loc>
      <image:title>Features - The Carlisle Experiment, the Inter-war Pub, and Me</image:title>
      <image:caption>Harry Redfern, The Apple Tree (1927), Carlisle. Despite the 'improvement' of many back-street pubs over the previous decade, it was only with The Apple Tree that Harry Refern and the Central Control Board started to design new pubs along 'improved' lines, including a separate Women's Room.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595689530921-DA3J90SV5Q52J7XEMBG5/PUBS+gretna-tavern-lowther-street-carlisle.jpg</image:loc>
      <image:title>Features - The Carlisle Experiment, the Inter-war Pub, and Me</image:title>
      <image:caption>The Gretna Tavern (1916), Carlisle. The first major improved public house created by the State – the architect for the conversion, Harry Redfern, was instructed to supply spittoons. He refused.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595689458089-GS1QN5ZDZWUELZOE2RBM/PUBS+Fellowship+1920s.jpg</image:loc>
      <image:title>Features - The Carlisle Experiment, the Inter-war Pub, and Me</image:title>
      <image:caption>F.G. Newman assisted by W.H. Fleeming, The Fellowship, Bellingham, 1923–24. one of brewer Barclay Perkins’ improved public houses serving the enormous new council estates built under the ‘Homes fit for Heroes’ campaign.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595689966915-48ER680WIDGWUF64QT69/PUBS+Bham+Northfield++The+Black+Horse+credit+G.+Brandwood.JPG</image:loc>
      <image:title>Features - The Carlisle Experiment, the Inter-war Pub, and Me</image:title>
      <image:caption>Francis Goldsborough, The Black Horse (1929), Northfield, Birmingham, perhaps the finest surviving improved public house of the inter-war period. © Geoff Brandwood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595689901914-R30TSV8F4NK6L3C58SKD/PUBS+Carlisle+The+Crescent.JPG</image:loc>
      <image:title>Features - The Carlisle Experiment, the Inter-war Pub, and Me</image:title>
      <image:caption>Harry Redfern. The Crescent (1932), Carlisle. Redfern's architecture at its most flamboyant, yet the Hispano-Moorish style was judged too fancy for Carlisle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595689276417-F5V8PY00UKBGJL89ZAFV/Holder+charabanc</image:loc>
      <image:title>Features - The Carlisle Experiment, the Inter-war Pub, and Me</image:title>
      <image:caption>Ex-military vehicles and their drivers found a new occupation after the First World War as charabancs propelling the new leisure industries. The expansion of the road-house, and their family-friendly gardens, was partly fuelled by outings such as this one, featuring the author's father as a young boy in the front seat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595690249973-BDOS8U9U64J1FWV3ZQHL/The+Red+Lion+Grantchester</image:loc>
      <image:title>Features - The Carlisle Experiment, the Inter-war Pub, and Me</image:title>
      <image:caption>Basil Oliver, The Red Lion (1938–39), Grantchester. Oliver's Arts and Crafts credentials shine through in this vision of an unchanging rural pub, complete with murals by Ernest Dinkel illustrating Rupert Brooke's poetry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595690115900-K1R7Y43J3PC0EXVKBR4J/PUBS+The+Kingstanding+1935+Birmingham.jpg</image:loc>
      <image:title>Features - The Carlisle Experiment, the Inter-war Pub, and Me</image:title>
      <image:caption>Bateman &amp; Bateman, The Kingstanding (1935), Birmingham. Long since demolished, it was typical of the quality of Birmingham's inter-war pubs – similar architecture can still be seen in such examples as The Black Lion, Northfield.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/beer-and-loathing-in-czech-drinking-culture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595456095325-6ES3FD97KKM3V580ATUQ/Pinkas.jpg</image:loc>
      <image:title>Features - Beer and Loathing in Czech Drinking Culture</image:title>
      <image:caption>Cellar at U Pinkasů, Prague. © U Pinkasů.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595494484412-5YZV70HOIPIVV1J0GXY1/Screenshot+2020-07-23+at+09.47.49.png</image:loc>
      <image:title>Features - Beer and Loathing in Czech Drinking Culture</image:title>
      <image:caption>The new beer garden at U Pinkasů, alongside Our Lady of the Snows, Prague. © U Pinkasů.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595453567498-LOAF49UO7LLFZM057BDA/Prague+City+Tourism.png</image:loc>
      <image:title>Features - Beer and Loathing in Czech Drinking Culture</image:title>
      <image:caption>Obecní dům (1905–12), Náměstí Republiky, Prague. © Prague City Tourism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595507106967-B1MZPFKAHRR70KJEG2IB/Screenshot+2020-07-22+at+22.40.59.png</image:loc>
      <image:title>Features - Beer and Loathing in Czech Drinking Culture</image:title>
      <image:caption>Plzeňská restaurace (1912), Obecní dům, Náměstí Republiky, Prague. © www.plzenskarestaurace.cz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1595455548041-F9EG4NCIVXBW09DOMU28/Praha%2C_U_C%CC%8Cerne%CC%81ho_vola%2C_loka%CC%81l.jpg</image:loc>
      <image:title>Features - Beer and Loathing in Czech Drinking Culture</image:title>
      <image:caption>U Černého vola (1865), Hradčany, Prague. © Palickap/CC BY-SA (https://creativecommons.org/licenses/by-sa/4.0)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/art-deco-in-peril-the-iron-duke-great-yarmouth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594898689939-EFCOB7P5I44JRUHWI743/IMG_5965.png</image:loc>
      <image:title>Features - Art Deco in Peril: The Iron Duke, Great Yarmouth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594899671043-XZ9T0T7ZPE0WE28V3EWD/IMG_5341.jpg</image:loc>
      <image:title>Features - Art Deco in Peril: The Iron Duke, Great Yarmouth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594899093749-IAHUGSKYB7HWZJHB63XE/6-1.jpg</image:loc>
      <image:title>Features - Art Deco in Peril: The Iron Duke, Great Yarmouth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594899325595-YO3T51IWWY33RLPIOPE5/IMG_6072.jpg</image:loc>
      <image:title>Features - Art Deco in Peril: The Iron Duke, Great Yarmouth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594899832448-CWJFPMMA1A3SOP4TJAZI/IMG_5536.jpg</image:loc>
      <image:title>Features - Art Deco in Peril: The Iron Duke, Great Yarmouth</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/why-robert-clayton-and-thomas-guy-must-fall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594559838996-LHN6Z88LVYEB6GJ9Z4E6/Statue+of+Robert+Clayton+by+Grinling+Gibbons.jpeg</image:loc>
      <image:title>Features - Why Robert Clayton and Thomas Guy Must Fall</image:title>
      <image:caption>Grinling Gibbons, Robert Clayton, c. 1701. St Thomas’ Hospital, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594560112945-EDMFOYLHVGL5SUQZ6YBA/Statue+of+Thomas+Guy+by+Scheemakers.jpeg</image:loc>
      <image:title>Features - Why Robert Clayton and Thomas Guy Must Fall</image:title>
      <image:caption>Peter Scheemakers, Thomas Guy, 1734. Guy’s Hospital, London</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/celebrating-the-20th-century-public-house</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594230103639-IMJAXO0WSB7QMHJXCXFV/Fig+3+Nags+Head+P1000540+brightened.jpg</image:loc>
      <image:title>Features - Celebrating  the 20th-Century Public House</image:title>
      <image:caption>Ernest Brander Musman, The Nag’s Head, Bishop’s Stortford (1936). © Historic England, Emily Cole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594228615605-O2D9SOYPS43D32V64IK1/Fig+1+Apple+Tree+P1140193+cropped.JPG</image:loc>
      <image:title>Features - Celebrating  the 20th-Century Public House</image:title>
      <image:caption>Harry Redfern, The Apple Tree, Carlisle (1925–27). © Historic England, Luke Jacob.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594228787195-AAMTQ0II7KYI4Z97BN9S/Fig+2+Black+Horse+DP166414.jpg</image:loc>
      <image:title>Features - Celebrating  the 20th-Century Public House</image:title>
      <image:caption>Francis Goldsborough, The Black Horse, Northfield, Birmingham (1929). © Historic England, James O. Davies, DP166415.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594229057386-BXA1MQWJAE1OEPCKEWWA/Fig+5+Black+Horse+function+room.jpg</image:loc>
      <image:title>Features - Celebrating  the 20th-Century Public House</image:title>
      <image:caption>Francis Goldsborough, function room at The Black Horse, Northfield, Birmingham (1929). © Historic England, James O. Davies, DP166430.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594241875597-ZHAB3Z0D47N93P3W77DM/Fig+6+HoW-Robin+Hood%2C+Exterior.jpg</image:loc>
      <image:title>Features - Celebrating  the 20th-Century Public House</image:title>
      <image:caption>T.F. Ingram, The Robin Hood, Becontree Estate, London (1926–29).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594470361226-RN2X5BO9C9H423BNLDYR/Fig+7+Berkeley+Hotel.JPG</image:loc>
      <image:title>Features - Celebrating  the 20th-Century Public House</image:title>
      <image:caption>Scott &amp; Clark, The Berkeley Hotel, Scunthorpe (1938–40) Photo: © Historic England Derek Kendall, DP152414</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594242644662-EA7XWX2ERIU98OITAXIQ/Fig+9a+Festival+Inn+-+exterior+DP170360.jpg</image:loc>
      <image:title>Features - Celebrating  the 20th-Century Public House</image:title>
      <image:caption>Frederick Gibberd, The Festival Inn, Lansbury Estate, London (1950–51). © Historic England, Derek Kendall, DP170360.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594242844633-TS7YX4UJZD3GCH1BHFFQ/Fig+9b+Festival+Inn+-+interior+of+public+bar+DP170374.jpg</image:loc>
      <image:title>Features - Celebrating  the 20th-Century Public House</image:title>
      <image:caption>Public bar by R.W. Stoddart at The Festival Inn, Lansbury Estate, London (1950–51). © Historic England, Derek Kendall, DP170374.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594230485191-XBRMTF6RSQFXLOLW501Q/Fig+10+Winged+Horse%2C+Basildon+DP183245.jpg</image:loc>
      <image:title>Features - Celebrating  the 20th-Century Public House</image:title>
      <image:caption>The Winged Horse, Basildon, Essex (1957). © Historic England, Chris Redgrave, DP183245.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594470543983-0UI5O40ZXAC9JY3IYSV0/Fig+11a+Crumpled+Horn+-+DP196865.jpg</image:loc>
      <image:title>Features - Celebrating  the 20th-Century Public House</image:title>
      <image:caption>Roy Wilson-Smith, The Crumpled Horn, Swindon (1975). © Historic England, James O. Davies, DP196865.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594228308162-5YNBEMP5O3GWUA5B7058/Fig+12+Samuel+Whitbread+-+archive+photo+of+exterior%2C+HEA.JPG</image:loc>
      <image:title>Features - Celebrating  the 20th-Century Public House</image:title>
      <image:caption>Thomas P. Bennett &amp; Son, The Samuel Whitbread, Leicester Square, London (1958). Photo: Historic England Archive, Brewery History Society Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/the-changing-face-of-the-pub-19602020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594035962163-TOYCASYBLX4UWJEB0DBI/0680B+Maida+Vale+Prince+Alfred+int+1_edited-1.jpg</image:loc>
      <image:title>Features - The Changing Face of the Pub: 1960–2020</image:title>
      <image:caption>The Prince Alfred, Maida Vale, London: a rare surviving example of a Victorian pub divided up by screenwork. © Geoff Brandwood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594207936331-YWWL0N6AEU0ADE8VOALH/010+Parkfield%2C+Eastbourne+Charrington%2C+50s%2C+cl+2now+a+Cop.jpg</image:loc>
      <image:title>Features - The Changing Face of the Pub: 1960–2020</image:title>
      <image:caption>A pub no more: The Parkfield, Eastbourne, built in the 1950s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594208030924-FJJ53G38C0NLG2DHCYZJ/030+Railway+Hotel+Faversham+plan+%28cleaned+up%29.jpg</image:loc>
      <image:title>Features - The Changing Face of the Pub: 1960–2020</image:title>
      <image:caption>The Railway Hotel, Faversham, Kent, plan of 1898. A typical late Victorian or early 20th-century plan, with a public bar on the corner, two private bars and a lounge, all clustered around a central servery. Railway Hotel Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594208143453-XL9FCKAZGJAWZ4ZLDYGD/050+St+James%27s+Duke+of+York+Private+Bar+glass.JPG</image:loc>
      <image:title>Features - The Changing Face of the Pub: 1960–2020</image:title>
      <image:caption>Etched door glass at the Red Lion, St James’s, London, probably 1890s. The private bar was smaller and thus slightly more exclusive than the public bar. © Geoff Brandwood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1594208256285-Z361YI5ED1QCR7P4PYP1/100+ShipInn-Itchenor-WestSussex-Interior-LeftHandBar-300dpi+%2820%29.jpg</image:loc>
      <image:title>Features - The Changing Face of the Pub: 1960–2020</image:title>
      <image:caption>Superstructures on and above bar counters for glasses have proliferated since the 1960s. This aggressive example is at the Ship Inn, West Itchenor, West Sussex. © Michael Schouten.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/exploring-lgbtqia-heritage-in-scotland</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1593603889925-I0K9AX1J2E3VZYV5YBOP/Exploring_LGBTQIA%2B_Scotland_image01.jpg</image:loc>
      <image:title>Features - Exploring LGBTQIA+ Heritage in Scotland</image:title>
      <image:caption>Queering Edinburgh. © Scottish Civic Trust, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1593604586215-OIK4M0TS9PK9E8T0VDUQ/Exploring_LGBTQIA%25252B_Scotland_image02.jpg</image:loc>
      <image:title>Features - Exploring LGBTQIA+ Heritage in Scotland</image:title>
      <image:caption>Map-making in action. © Scottish Civic Trust, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1593604311987-QQTWMTOL64TCX1TF9444/Exploring_LGBTQIA%2B_Scotland_image03.jpg</image:loc>
      <image:title>Features - Exploring LGBTQIA+ Heritage in Scotland</image:title>
      <image:caption>Queering the Map of Edinburgh final map</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1593604434261-LAJ38TV4TONQSVCQWK14/Exploring_LGBTQIA%2B_Scotland_image04.jpg</image:loc>
      <image:title>Features - Exploring LGBTQIA+ Heritage in Scotland</image:title>
      <image:caption>Sharing stories in Ayr. © Scottish Civic Trust, 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/queer-gothic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592910575145-1VEOWCIEDDZU33BZCTJI/Ninian+Comper+St+Sebastian+Altarpiece+%28detail%29+1922.jpeg</image:loc>
      <image:title>Features - Queer Gothic</image:title>
      <image:caption>Ninian Comper, St Sebastian Altarpiece (detail), 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592910925242-XKYUYV2BZ2AQ8WLKGEK0/folly_tatler_nov_1935</image:loc>
      <image:title>Features - Queer Gothic</image:title>
      <image:caption>Report on the “Tower Warming Party” for Lord Berner’s Faringdon Folly, The Tatler, November 1935: ‘What exactly Lord Berners intends to use it for is not reported ...'</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/virtually-italian</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592995122356-BWCUBQ5OZFL8299Y34SE/Lockwood+Street.1-9.jpg</image:loc>
      <image:title>Features - Virtually Italian</image:title>
      <image:caption>Lockwood Street, Saltaire</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592995176308-EHY7A3P6GCX693V9OZD9/Barry.04.04a+copy+%281%29.jpg</image:loc>
      <image:title>Features - Virtually Italian</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592995261518-KJBIEGQEY45HC9L87MZ6/Adam_56_145+copy.jpg</image:loc>
      <image:title>Features - Virtually Italian</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/the-stately-homos-of-england</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592903081333-QA8L9DLDHKCR586LLG0F/Royal+Vauxhall+Tavern.jpg</image:loc>
      <image:title>Features - The Stately Homos of England</image:title>
      <image:caption>The Royal Vauxhall Tavern (1860–62), Kennington Lane, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592903236920-33GAVUHVPTM316Q0H5GB/Clouds+Hill.jpg</image:loc>
      <image:title>Features - The Stately Homos of England</image:title>
      <image:caption>Cloud Hills (1808), Wareham, Dorset.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592903487819-0ULGMVJF0ARPV7KTBO0R/The+Yard.jpg</image:loc>
      <image:title>Features - The Stately Homos of England</image:title>
      <image:caption>The Yard, Rupert Street, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592903785206-MQF6V2IORYKUCX4EGWYS/The+Cabin.jpg</image:loc>
      <image:title>Features - The Stately Homos of England</image:title>
      <image:caption>The Cabin, Buck Mills, Bideford, North Devon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/queering-the-national-trust</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592384464934-AS4MXOR9F6QHC2WEGHGA/Vita+Sackville-West.jpg</image:loc>
      <image:title>Features - Queering the National Trust</image:title>
      <image:caption>Lord Snowdon, Vita Sackville-West at Sissinghurst, 1961. National Portrait Gallery, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/seacole-nightingale-and-ingenuity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592141829597-1IAD57KXVUY8JLJT7WN7/3F1ADAB4-D9A6-4716-9B2E-8EFDAEF48252.jpeg</image:loc>
      <image:title>Features - Seacole, Nightingale and Ingenuity</image:title>
      <image:caption>Martin Jennings, Mary Seacole, St Thomas' Hospital, 2016. Photo: Owen Blacker. Creative Commons CC0 1.0 Universal Public Domain Dedication.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1592142936047-Y388ZBJ1W943U6H4ADHW/AE6C40BB-6CDB-4A9B-B112-093D09055905.jpeg</image:loc>
      <image:title>Features - Seacole, Nightingale and Ingenuity</image:title>
      <image:caption>T. Sulman, Saint Thomas’ Hospital, Lambeth, 1871. Credit: Wellcome Collection. Attribution 4.0 International (CC BY 4.0).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/they-say-history-never-repeats-but-it-rhymes-the-eradication-of-cholera-in-victorian-britain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1591440005188-ARW5FTZY6CZNTAKPIXYH/fullsizeoutput_2f92.jpeg</image:loc>
      <image:title>Features - They say history never repeats, but it rhymes: The Eradication of Cholera in Victorian Britain</image:title>
      <image:caption>Wenceslaus Hollar, A new and exact map of Great Britannie &amp;c., 1667. Credit: Q,6.113 © Trustees of the British Museum, Released under Creative Commons Attribution - NonCommercial - ShareAlike 4.0 International (CC BY-NC-SA 4.0) license</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1591440096305-WN8BBTHSFCU2YMVY7SP3/IMG_3102.JPG</image:loc>
      <image:title>Features - They say history never repeats, but it rhymes: The Eradication of Cholera in Victorian Britain</image:title>
      <image:caption>John Varley, The Ouse Bridge, York. T09396 © Tate, released under Creative Commons CC-BY-NC-ND (3.0 Unported)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1591440209757-A7QA18STMDTY4GW5FKX5/fullsizeoutput_2f94.jpeg</image:loc>
      <image:title>Features - They say history never repeats, but it rhymes: The Eradication of Cholera in Victorian Britain</image:title>
      <image:caption>George Cruickshank, Salus Populi Supreme Lex Esto, 1832. © The Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1591440147055-94HD6XP2UAD6T7IWPQK3/default.jpg</image:loc>
      <image:title>Features - They say history never repeats, but it rhymes: The Eradication of Cholera in Victorian Britain</image:title>
      <image:caption>John Mayhew Williams, The Engine-House, Crossness and the Outfall of the Metropolitan Sewerage, 1865. © Wellcome Collection. Attribution 4.0 International (CC BY 4.0).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/applicationadvice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1588410441336-HCO12GT368O8PAXRWKNT/IMG_2459.jpg</image:loc>
      <image:title>Features - ‘I Almost Didn’t Apply’: Tips and Advice if You’re Thinking of Applying to our PhD Scholarship Competition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1588409742147-E2T7S7HNCERXIT0DRH80/Picture1+%281%29.png</image:loc>
      <image:title>Features - ‘I Almost Didn’t Apply’: Tips and Advice if You’re Thinking of Applying to our PhD Scholarship Competition - Alborz Dianat</image:title>
      <image:caption>SAHGB Scholar 2019, supported by Graham Child. Alborz’s project examines the role of the critic P Morton Shand (1888-1960) in facilitating the arrival of Modernism in interwar Britain. He has recently published an article on the 1933 Charles Rennie Mackintosh Memorial Exhibition in our journal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1588410130041-3YKPRDY6HAHA0Z724LI1/photo.jpg</image:loc>
      <image:title>Features - ‘I Almost Didn’t Apply’: Tips and Advice if You’re Thinking of Applying to our PhD Scholarship Competition - Kirsty Wright</image:title>
      <image:caption>Scholarship in Heritage Buildings 2019, supported by the HB Allen Trust. Kirsty is currently doing a PhD in history at the University of York, and her work looks at St Stephen's College and the Palace of Westminster during the period 1601 to 1794. She was the co-organiser of the Society’s Architectural History Workshop in March this year.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/the-edwardians-and-their-houses</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1588022357577-Z6T2J4IQDYTX4O3ZH4WD/Biddenham.jpg</image:loc>
      <image:title>Features - The Edwardians and their Houses</image:title>
      <image:caption>King’s Close, Biddenham, Bedfordshire, by M. H. Baillie Scott, around 1909 © Robin Forster</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1588022396577-R6NEC071XTJRN2VG74EZ/Kingsgate.jpg</image:loc>
      <image:title>Features - The Edwardians and their Houses</image:title>
      <image:caption>Kingsgate Castle, Kent, a Georgian folly remodelled in 1901–12 by W.H. Romaine Walker © Robin Forster</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1588022443705-3TH0TCZYJWOEY11DRNSG/Yewlands.jpg</image:loc>
      <image:title>Features - The Edwardians and their Houses</image:title>
      <image:caption>Yewlands, Hoddesdon, Hertfordshire, by Geoffry Lucas, 1910 © Robin Forster</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/architecture-of-isolation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586284099386-A8EXF35RFKVJTCEB9D6I/2+map+of+aberdeen+1879+copy.jpg</image:loc>
      <image:title>Features - Architecture of Isolation</image:title>
      <image:caption>Detail of a plan of the City of Aberdeen from the Post Office Directory of 1879</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586282524101-WC3NDG8J74N7T6OC1J0R/1+City+Hospital+Aberdeen+ward.jpg</image:loc>
      <image:title>Features - Architecture of Isolation</image:title>
      <image:caption>View of one of the ward blocks at the City Hospital</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586282622503-BU4FD2HA85PAKUP50PMY/3+London+Fever+hospital.jpg</image:loc>
      <image:title>Features - Architecture of Isolation</image:title>
      <image:caption>Coloured engraving of the main front of the London Fever Hospital</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586282663730-X7YYPY16BM744YZXT9OY/4+London-Fever-Hospital-plan.jpg</image:loc>
      <image:title>Features - Architecture of Isolation</image:title>
      <image:caption>Plan of the London Fever Hospital from The Builder, 12 August 1848, p.391)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586282926082-1XEX5PNIK4BG9VZVDJFW/6+Brook+fever+hospital.jpg</image:loc>
      <image:title>Features - Architecture of Isolation</image:title>
      <image:caption>Aerial photograph of the Brook Fever Hospital, Shooter’s Hill, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586282714651-EUZUX85PEV9CV7VEDDSW/7+Gloucester+smallpox+hospital.jpg</image:loc>
      <image:title>Features - Architecture of Isolation</image:title>
      <image:caption>This Hempsted Smallpox Hospital, Gloucester, photographed by H.C.F. in 1896</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586282757004-2TW0NPD3HBQ7BT7YRDH9/8+Bennet%27s+End+small+ward.jpg</image:loc>
      <image:title>Features - Architecture of Isolation</image:title>
      <image:caption>A ward block built at the Hemel Hempstead Infectious Diseases Hospital at Bennet’s End, based on the model plans issued by the Local Government Board</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586282842750-PHGGN0G987HTGTVK0EV9/9+LGB+model+plan+B+copy.jpg</image:loc>
      <image:title>Features - Architecture of Isolation</image:title>
      <image:caption>LGB model plan B, 1900 and 1902-21 versions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586283910275-RNI3PPXP3T56H5IELHQW/10+SWMx+Hosp+exterior.jpg</image:loc>
      <image:title>Features - Architecture of Isolation</image:title>
      <image:caption>Cubicle isolation block built at the South West Middlesex Hospital, Exterior</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586283944606-HWBDYOL8BKP6LYJ6DXJX/11+SW+Mx+Hospital+interior.jpg</image:loc>
      <image:title>Features - Architecture of Isolation</image:title>
      <image:caption>Cubicle isolation block built at the South West Middlesex Hospital, Interior</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/the-not-seen-ggz64</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586286465512-RRRELA0LMVXHHUMA7BBZ/ED2+BENJAMIN-EAST+WALL-LW+copy.jpg</image:loc>
      <image:title>Features - The Not-Seen</image:title>
      <image:caption>East Wall, Gerrard’s Cross, Bucks, 1935-6, Elisabeth Benjamin for Arnold Osorio. Courtesy of Lynne Walker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586285927462-FOPJ04XIU5ZKB8AWYNMI/AITON+%26+SCOTT+scan.jpg</image:loc>
      <image:title>Features - The Not-Seen</image:title>
      <image:caption>Norah Aiton and Betty Scott. Courtesy Lynne Walker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586286705036-1H3L8RTV8D6JX9F5OKXB/ED3+Shawms.jpg</image:loc>
      <image:title>Features - The Not-Seen</image:title>
      <image:caption>Shawms, Cambridge, 1936-38, Justin Blanco White for George Rushton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586287046547-LYN19W3QC69VJ1ZN7LG3/ED1+Aiton%26Scott-entrance+facade-detailAiton%26Co.jpg</image:loc>
      <image:title>Features - The Not-Seen</image:title>
      <image:caption>Offices for Aiton &amp; Co, Derby, 1931, designed by Norah Aiton and Betty Scott. Courtesy Lynne Walker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586287570649-U22SY8S4M4BLNCWUU7HE/ED4.jpg</image:loc>
      <image:title>Features - The Not-Seen</image:title>
      <image:caption>Justin Blanco White as depicted in a book of caricatures of AA students, 1934. With kind permission of AA Archives/Library</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/thediversemodes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-17</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/features/blog-post-title-three-39afg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586254002827-EGYDRQGX4T8LZAPEVOVA/Extra+image+Howard%27s+ideal+lazaretto+%281%29.jpg</image:loc>
      <image:title>Features - Architecture and Social Distancing: A Long View</image:title>
      <image:caption>Howard’s Ideal Lazaretto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586254198243-B6LBUHV1LMOCFHFJBGYG/Fig+1+St+Bartholomew%27s+Hospital.jpg</image:loc>
      <image:title>Features - Architecture and Social Distancing: A Long View</image:title>
      <image:caption>Fig. 1 St.Bartholomew’s Hospital</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586254351639-9Z3AC9GMBVBNWOEWPW56/Fig+2+Ancona+Lazaretto+.jpg</image:loc>
      <image:title>Features - Architecture and Social Distancing: A Long View</image:title>
      <image:caption>Fig. 2 Ancona Lazaretto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586254542253-SBF3JOAICXYMRBLI0QGR/Fig+3+Venice+lazaretto+.jpg</image:loc>
      <image:title>Features - Architecture and Social Distancing: A Long View</image:title>
      <image:caption>Fig. 3 Venice Lazaretto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586254721643-ZJWI7MD6TZ14CUDS1MG3/Fig+4+Genoa+Lazaretto.jpg</image:loc>
      <image:title>Features - Architecture and Social Distancing: A Long View</image:title>
      <image:caption>Fig. 4 Genoa Lazaretto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e562773b673894726fd6c17/1586254746198-8Y4NN5254THIURXJ450Z/Lazareto+de+Mahon.jpg</image:loc>
      <image:title>Features - Architecture and Social Distancing: A Long View</image:title>
      <image:caption>Fig. 5 Lazareto de Mahon</image:caption>
    </image:image>
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      <image:title>SAHGB - IHBC Heritage Research Award</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg</image:loc>
      <image:title>SAHGB - IHBC Heritage Research Award</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg</image:loc>
      <image:title>SAHGB - IHBC Heritage Research Award</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg</image:loc>
      <image:title>SAHGB - IHBC Heritage Research Award</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg</image:loc>
      <image:title>SAHGB - IHBC Heritage Research Award</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847767761-J2M1HI20BXRQ9XCR0HUD/Large+JPG-Aro+Ha_0387.jpg</image:loc>
      <image:title>SAHGB - IHBC Heritage Research Award</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/hawksmoor-essay-medal</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg</image:loc>
      <image:title>Hawksmoor Essay Medal</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg</image:loc>
      <image:title>Hawksmoor Essay Medal</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg</image:loc>
      <image:title>Hawksmoor Essay Medal</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg</image:loc>
      <image:title>Hawksmoor Essay Medal</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg</image:loc>
      <image:title>Hawksmoor Essay Medal</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg</image:loc>
      <image:title>Hawksmoor Essay Medal</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847767761-J2M1HI20BXRQ9XCR0HUD/Large+JPG-Aro+Ha_0387.jpg</image:loc>
      <image:title>Hawksmoor Essay Medal</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/dissertation-prize</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg</image:loc>
      <image:title>Dissertation Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg</image:loc>
      <image:title>Dissertation Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg</image:loc>
      <image:title>Dissertation Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg</image:loc>
      <image:title>Dissertation Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg</image:loc>
      <image:title>Dissertation Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg</image:loc>
      <image:title>Dissertation Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847767761-J2M1HI20BXRQ9XCR0HUD/Large+JPG-Aro+Ha_0387.jpg</image:loc>
      <image:title>Dissertation Prize</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/the-annual-lecture</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-09</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/networks</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-18</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/32905802935910250</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-11</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/join-renew</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-18</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/journal</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-19</lastmod>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/adh</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg</image:loc>
      <image:title>Alice Davis Hitchcock Medallion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg</image:loc>
      <image:title>Alice Davis Hitchcock Medallion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg</image:loc>
      <image:title>Alice Davis Hitchcock Medallion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847767761-J2M1HI20BXRQ9XCR0HUD/Large+JPG-Aro+Ha_0387.jpg</image:loc>
      <image:title>Alice Davis Hitchcock Medallion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg</image:loc>
      <image:title>Alice Davis Hitchcock Medallion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg</image:loc>
      <image:title>Alice Davis Hitchcock Medallion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg</image:loc>
      <image:title>Alice Davis Hitchcock Medallion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847767761-J2M1HI20BXRQ9XCR0HUD/Large+JPG-Aro+Ha_0387.jpg</image:loc>
      <image:title>Alice Davis Hitchcock Medallion</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sahgb.org.uk/colvin-prize</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg</image:loc>
      <image:title>Colvin Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg</image:loc>
      <image:title>Colvin Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg</image:loc>
      <image:title>Colvin Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847767761-J2M1HI20BXRQ9XCR0HUD/Large+JPG-Aro+Ha_0387.jpg</image:loc>
      <image:title>Colvin Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg</image:loc>
      <image:title>Colvin Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg</image:loc>
      <image:title>Colvin Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg</image:loc>
      <image:title>Colvin Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847767761-J2M1HI20BXRQ9XCR0HUD/Large+JPG-Aro+Ha_0387.jpg</image:loc>
      <image:title>Colvin Prize</image:title>
    </image:image>
  </url>
</urlset>

